After last week saw me complete a World Eaters Dreadnought, today another member of the XII legion muscles his way to the front of the queue — so what is this about?

The recent Chaos Space Marines release has been a bit of a bittersweet affair for me. Sweet, of course, because the models are obviously brilliant, and such a long overdue reworking of some rather ancient kits. At the same time, however, the added size of the new CSM makes a rather big part of my World Eaters look pretty runtish. There’s also the fact that I don’t see myself revamping the entire army anytime soon — or, in fact, ever: I’m not sure I still have it in me to build and paint huge 40k armies, as I am much more interested in smaller, bite-sized challenges like INQ28 retinues or single pieces that appeal to me. And yet I did of course want to get in on some sweet chaotic action — so what was I to do?

The best possible approach was to start by purchasing some new plastic crack, of course, so I hot myself a box of vanilla Chaos Space Marines and Havocs each (I just couldn’t resist the massive, brutal look of the Havocs, even if rules don’t even interest me all that much at this point). And I began some preliminary experimentation.

Now as many of you will already know from firsthand experience, the new CSM are noticeably taller than the older models, and that makes quite a few of my chaos models look rather weird next to the new guys. Unfortunately, this includes a fair bit of my still unpainted stuff. So the first order of the day was to find out which of my more recent (unpainted) chaos models were still salvageable. In order to find out, I quickly poster-tacked together one of the new models to serve as a point of reference:

Keep this guy in mind — we’ll be seeing more of him shortly…

This guy was mostly built straight out of the box — although, as you can see, I couldn’t help adding a Caedere Remissum helmet crest, even at this early hour — more on that particular design decision later…

Using the new guy as a point of reference, I was lucky enough to find some models that might still work.

There’s my WIP Iron Warriors kill team, for starters:

Now this project was started before Kill Team was even a thing (again), so I mostly played it by ear back then, and built models that appealed to me from a visual standpoint. At the same time, I did try to go beyond the look of vanilla CSM with this project, so most of the models (except for the one tester lurking in the back whom you may safely ignore) were mostly based on Chose models from the Dark Vengeance boxed set. And while the models are still a bit shorter than the new CSM, they don’t look too out of place. Two Iron Warriors remain unpainted, but have already been built, as you can see, and after that, I think I’ll be adding a heavy weapons specialist (built from one of the new kits), add a few suitably IW-themed cultists and call it a day. The finished team should hopefully still work well enough. And KiIl Team, with its smaller model count and potential larger focus on individual characters (and models) appeals more to me than standard 40k at this point.

But where does that leave my World Eaters?

Well, the good news is that I found some guys that should still work rather well in this new, upscaled world. Take a look:

Once again, most of these conversions were heavily based on the Dark Vengeance Chosen, so they still work fairly well (even though they are just a tad shorter than the new models):

I also think that coming up with a really cool World Eaters Kill Team (code name “The Hateful Eight”) should be a very rewarding project in and of itself. If that prompts me to keep building and painting World Eaters for 40k proper afterwards, so much the better. But for now, I want to explore the new kits and use them to build some of the best World Eaters I can come up with — at least that’s the plan.

That being said, the new kits turn this into an interesting challenge, because many well established conversion recipes may not work anymore due to the slightly changed scale (many stock arms, for instance, just seem too short on the new models. As do the chaos marauder arms I have used many times to create the classic “bare arm” World Eaters look). So my first little project was to find out how to make the new vanilla CSM look more like World Eaters, so I started to mess around with a couple of bitz:

The good news is that most older helmets and shoulder pads should still work fairly well — this includes some of the older FW shoulder pads (as seen here with the pauldrons from the berzerker conversion kits. They torso pieces from the same kit, however, are right out).

But I also wanted to do something slightly more involved for my first test model, and after looking for a while at a Blood Warrior chest piece, I got a bit more creative:

Some of the new breastplates are still a bit bland, to be honest, so I decided to splice in some Khornate goodness: I carefully cut through the torso front just above the abdomen as seen in the picture above.

The Blood Warrior breastplate (seen on the left) fit with just the slightest fraction of shaving. However, there was a huge gap underneath it that, while not directly visible when looking at the model from the front, still made it obvious that the torso was hollow. So I used a bit of GS to create a small lip, like this:

Then the Blood Warriors breastplate was simply glued on. The GS plugged the gap, and the new torso works really well, what with the cabling on the abdominal section and everything:

Granted, the whole assembly seemed a little less convincing when seen from the side:

But most of this should end up being covered by the arms anyhow — I merely added some GS to create a straight surface for the arms to attach to.

Here’s a mockup of the entire body:

Now I was really pleased with myself at this point about how clever a conversion I had created. However, I only realised after completing this particular conversion that to replace the breastplate like that would have been even easier on some of the other bodies from the kit, because those already have the breastplates and abdominal section separated from the get-go. Oh well, we live and learn…

Anyway, a short while later, I had my first World Eaters test model made with the new CSM kit:

I think there’s something so malevolent about this guy’s pose — like a predator stalking its prey…

Of course I decided that I would need to get this chap painted right away, so I adapted the colour scheme I had used for my recent Chaos Dreadnought for use on the smaller model and used quite a bit of time to make sure to get the paintjob just right…

Once again, brighter reds and oranges were used both for edge higlights, but also to create scratches and scuff marks, in order to make the armour look pitted and ancient, and to suggest a texture to the whole warplate.

Oh, I also included a shout-out to Wade Pryce’s World Eaters, one of my biggest inspirations when I got back into the hobby: The stylised legion badge was very much inspired by the way Wade used to paint the World Eaters symbol.

Anyway, to make a long story short, allow me to share my first finished World Eaters test model created using the new CSM kit, fully painted and based:

I did decide to include a bit of blood on the chainsword, using Tamiya Clear Red to create the effect:

And here’s another peak at that legion badge inspired by Wade Pryce’s old models:

And here’s a pretty nice shot (if I do say so myself) of the new World Eater next to Argus the Brazen:

Now as for the evolution of my berzerker painting scheme and, indeed, my Khorne berzerkers, I have prepared a little comparison shot to show you the evolution, as it were:

On the left is one of the first Khorne Berzerkers I painted back in 1998 or so, back when the plastic kit was released. These guys still saw use in my modern army, mostly because I was too lazy to replace them. Next in line is the first World Eater I painted when getting back into the hobby after a longer hiatus, in 2010, but using a slightly tweaked recipe. The third guy was an experiment on replacing the – by then OOP – Blood Red with Mephiston Red, but back then I wasn’t quite happy with the effect. And there’s my brand new little guy — maybe this time I have finally managed to nail the recipe? What do you guys think?

I also took a couple of scale comparison pictures, just to illustrate my earlier point about the new kit making most of the classic catalogue look rather tiny.  The difference is not equally pronounced between all CSM: For instance, the DV Chosen are just a tad shorter than the new CSM, but it’s not too obvious. Old CSM models, however, just look really awkward next to the new guys, at least if untweaked. Take a look:

Almost a little painful to look at, isn’t it? The new Marine just seems much taller — and indeed he is. Now here’s a comparison with an old model that was nevertheless a  slightly more involved kitbash:

This comparison is interesting because it shows off both the evolution of my painting recipe, as well as the fact that the legs from the new kit are quite a bit longer, the torso is broader, and the backpack no longer dominated the entire model as much. It’s especially obvious when looking at the back of the models:

Next up, another round of comparisons with some taller models:

For starters, here’s my new World Eater next to Brother Arcturus Diomedes, based on a Primaris marine:

As you can see, the new CSM are not quite as tall as Primaris Marines, but they are closed (and could be used as true scale models opposite Primaris in a pinch).

And here’s a comparison with one of the wonderful converted World Eaters my buddy Augustus b’Raass sent me earlier this year:

Augustus’ model was created using older part, but it’s heavily converted and built to be taller than a standard CSM, so you barely notice the difference in height. So that’s the good news for those hobbyists with highly customised and converted chaos armies, I suppose — your guys still look good, in spite of the scale creep

Also, don’t get me wrong: Ultimately I would say the new scale is for the best — it finally gives the Chaos Space Marines the stature they deserve, because unlike their loyalist counterparts, they have skipped one or two rounds of scale creep. By the same token, however, the change is so significant that it presents a couple of challenges to chaos players now, but those can definitely be overcome. In fact, I would say that to figure out how best to use the new kits and how to work around the changes in scale seems like just the kind of creative challenge that should delight chaos players all over the world!

For now, I am pretty happy with my first test model, and I am actually looking forward to painting a couple of World Eaters again — who would have expected that, eh? Anyway, I would be happy to hear your thoughts on the new model, of course, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

My previous post showcasing my finished Ork Blood Bowl team must have been my least successful post this year, both in terms of views and comments, unfortunately enough. So, in a move that probably borders on being suicidal, I am following it up this week with yet more Blood Bowl content. Oh well, what can you do…

Anyway, painting that little snotling with the hammer recently – this little fellow here -…

…must have lit a bit of a fire under me, because I really felt the need to add some more, slightly humorous, grots to my collection. And sometimes you just have to go with what feels right in this hobby of ours, right?

Fortuntately enough, I didn’t have to dig deep into my cupboard of shame, because there was this little guy here, set aside as a part of my Blood Bowl project years ago:

I loved the idea of having a massively overburdened little greenskin lugging around the team’s extra equipment/trophies/snacks, and the model perfectly fit the bill! It’s basically a stock model, one of the “bonus gnoblars” that came with most of the Ogre Kingdoms kits. It was already quite characterful enough and didn’t really require any conversion. Even so, I grafted an ornamental wing to the head sticking out from the backpack, making it look like the remains of an unlucky player from an opposing team…

When it came to painting the model, it was mostly a question of blocking in some base colours, then adding a heavy wash of Army Painter Dark Tone and watch it do most of the work for me:

Not bad, eh? And a few more tweaks and touchups later, I had a mostly finished model:

At this point, it was mostly a matter of adding some subtle “special effects”, so I added some Tamiya Clear Red to the severed (?!) human head, and yet more Tamiya Clear Red, albeit thinned down, to the big chunk of meat on the model’s left shoulder, making it look suitably juicy and …erm “tasty”

All that was left was to quickly finish the model’s base. And afterwards, the Orkheim Ultraz’ “Kit-Git” was finished:

In terms of gameplay, this little guy could be a model for an assistant trainer (haha, yeah right! ). More than anything, however, it’s a characterful little piece with just the right amount of humour, and hence an ideal addition to the Ultraz! Also, seeing how I’ve had this guy in my bitzbox for ages, I would say he also qualifies as a neglected model for Azazel’s June challenge.

But wait, there’s more! For instance, I still want to address this mystery model I shared with you a while ago:

Now what is this supposed to be, I hear you asking, some kind of sneaky special weapon?

One thing I immediately noticed when playing the Blood Bowl II video game were the little goblin cameramen appearing in every other scene (and during the actual games):

I thought these were such a wonderful little touch, and – avid kitbasher that I am – I couldn’t stop wondering how difficult it would be to come up with a little “camgrot” of my own.

Before I actually started converting, I tried to get a couple of proper screenshots of the camgrots from the game (which turned out to be rather tricky, seeing how they are only ever in the frame for a couple of seconds, or so small that you cannot get a good enough look at them), but I ended up capturing a few pictures of the sneaky gitz…

Blood Bowl 2_20190504160150

including a closer look at the actual camera setup:

Blood Bowl 2_20190504161300

My own model was then painstakingly grafted together from all kinds of odds and ends, mostly bitz from the Ogre Kingdoms catalgoue, really, that came from a rathe big job lot of ogre bitz I bought a couple of years ago. Those gnoblars are just incredibly useful conversion fodder!

Anyway, here’s the conversion I came up with:

There was no actual necessity to make the camera look mechanically sound, but I did want to add just a dash of plausibility, so I added a little crank on the side there, to hint at some kind of inner workings — in all honesty, though, the cameras from Terry Pratchett’s Discworld series (with little gremlins inside actually painting the pictures *really* fast) was foremost on my mind when building this model

The candle was added as a last little touch, either to suggest the “red light” on modern TV cameras, or to simply make the whole thing look even more like a weird magitek contraption.

The camgrot itself is not even the end of the project, however, because I had another idea idea: A couple of years ago, I picked up this goblin hut (that used to be part of the “Battle for Skull Pass” WFB boxed set) as part of a bigger bitz drop:

And, thinking of the camgrot, I asked myself whether this could be used as a cool “camera tower” for him, the better to capture the best possible footage. So I made him a little platform from a couple of odds and ends:

I definitely want to keep the platform optional, though, so I can still swap in that huge half-moon and use the hut in, say, HeroQuest or similar games. But it’s a nice way of making the most of that pretty characterful little piece of terrain:

For now, I wanted to start by painting the actual camgrot, though:

The undercoat did a wonderful job of pulling all of the different parts together into a coherent whole:

One effect I want to point out is the camera lens: I covered it with several coats of Tamiya Clear Water effect, which I think makes for a somewhat deeper and “glassier” look han mere gloss varnish would — but maybe that’s just what I would like to imagine…

And here’s the finished model (without a finished base, seeing how the little guy is going to end up on that camera platform of his):

And because there’s always time for a little fun, I even added a little Cabal Vision logo to the back of the little guy’s shirt:

All in all, these two models were a really cool way to explore the Blood Bowl universe beyond the borders of the actual pitch! Here’s a picture showing both of the finished models:

And while I was having a roll anyway, I also worked on a couple of “fanz” for the Orkheim Ultraz: These will be used as cheerleaders for the team:

The two guys on the left were built ages ago, and they are basically just the repurposed standard bearer and musician from an old mob of Orc boyz. They seemed like a great match, though — I merely turned the standard by 90 degrees, turning it into a flag. The guy (or rather, guys) on the right I am pretty proud of, however, because that was quite a finnicky conversion:

I loved the idea of carrying a spectator carrying another model piggyback, and while this is obviously an Orc carrying a Goblin, I did very much want to invoke the impression of a dad taking their kid along to a game — just look how happy that little guy seems! Dad, on the other hand, already has a bottle of fungus beer prepped and ready

So yeah, that’s it for today: Just a couple of weird greenskin models. I surely hope this week’s update won’t perform quite as abysmally as the previous post… So it goes without saying that I would love to hear your thoughts on these models! Please feel free to drop me a line!

As always, thanks for looking and stay tuned for more!

Back to the shadowy world in between the cracks for today’s update, as we make the aquaintance of more citizens of the Velsen Sector, DexterKong’s and my personal INQ28 sandbox.

2018 was very much an INQ28 year for me in that I managed to, more or less, finish five different retinues for my Inquisitor collection. Unfortunately, the same cannot be said for 2019 so far, but there’s still some time left this year, eh? So let’s head back to the world of shadowy dealings in service of the Ordos for a bit:

In spite of my painting progress last year, my INQ28 backlog is still on the wrong side of hilarious, so I didn’t exactly have to search for something to paint. I chose one of my long-neglected warband projects: the retinue of one Inquisitor Titus Alvar, of the Ordo Xenos Velsen:

Inquisitor Titus Alvar, of the Ordo Xenos

House Alvar has been one of the more influential noble houses for centuries. As a scion of the house, Titus Alvar grew up in luxury and power, the intricacies of the Imperial courts with their waxing and waning support for one house or another a game he quickly mastered. Maybe the search for new and more immediate thrills was what made him enter that perilous region of space known as “The Veil of Impurity” time and time again, and tales of his exploration of ancient ruins, of treasures discovered and adventures survived, made him the talk of the courts he had left behind. As a matter of fact, one of his expeditions into the treacherous cluster of stars resulted in a standoff with Inquisitrix Cimbria Carscallen. Under normal circumstances, someone running afoul of the Ordo Xenos would have been executed without second thought, yet Carscallen must have seen something in Alvar that made her reconsider. And so, Titus Alvar, noble, adventurer, became an Interrogator in the Emperor’s Holy Ordos of the Inquisition and, in time, an Inquisitor in his own right.

Though the years of doing the Emperor’s work may have somewhat mellowed his once flamboyant lifestyle, Titus Alvar very much remains a socialite and a political animal. His standing as a member of an influential noble house makes him a common guest at social functions all over the sector, and the tales of his exploits have led some of his peers to suspect that he is a glory hound, first and foremost.

In truth, Titus Alvar is, above all else, a pragmatist: The trappings of nobility are as much of a useful tool to him as the artifacts he has recovered on countless expeditions or the retainers, some of them quite exotic, that comprise his warband. Meanwhile, some of Alvar’s colleagues have grown suspicious of the Inquisitor’s continued expeditions to the Veil of Impurity and some of the alliances he may have forged there…

Back when I originally came up with the plan for Alvar and his retainers, I had this idea for an Ordo Xenos Inquisitor who was also a bit of a socialite, and an adventurer — closer in outlook to a Rogue Trader in many ways. So I wanted his retinue to be somewhat colourful and picaresque again, not unlike the charming collection of archetypes appearing in the original Inquisitor rulebook. Going back to the pages of that veritable tome, I realised that my collection was still missing the alien mercenary archetype — and it woud also also very much in character for a socialite like Alvar to have an “exotic” retainer like this in his warband, even though it might make the more puritan members of the Ordo Xenos foam at the mouth…

So that was where T’L’Kess the Kroot Pathfinder was born a couple of years ago:

T’L’kess lost his entire kindred in an atrocity committed by a T’au commander to prove a point (it’s a long story). In any case, there’s no love lost between him and his former “employers”(in fact, this is one of the angles that interest me most about the T’au empire: the contrast between their propaganda and narrative of a peaceful empire of many species and the possible cracks and ugly sides such an empire might have, such as aggressive expansionism, speciesism — you name it). T’L’Kess has realised that his last chance to keep his bloodline alive might be to travel the stars in order to find members of the kindred who left the planet prior to the genocide. During his travels, he meets Inquisitor Alvar and ends up working for him as a scout and pathfinder.

I have always been intrigued by the Kroot and have wanted to turn one of the models into a bit more of an individual for a long time — imagine my annoyance, then, when Dayhak Grekh from Blackstone Fortress turned out to be a much better realisation of a very similar character idea…

Ah well, my model was built years ago with the bitz I had back then. And in any case: All the more reason to finally get some paint on the character, right?

When painting the model, my two main sources of inspiration where my buddy DexterKong’s Kroot character Ortok (basically one of the best Kroot conversions I have seen so far) and Foxtail’s paintjob for the Dayhak Grekh model from Blackstone Fortress.

Anyway, here’s the finished model for T’L’Kess

The white part on the left side of his head is actually the T’au version of a comms system. I tried to make the skin around it look scarred to hint at the fact that it was inplanted without much care for his thoughts on the matter — or for his good looks I wanted to hint at the bad blood between him and his former comrades in arms, and also at the fact that the covenant between the T’au and the other species from their empire can sometimes be less benign than what is usually suggested in the background…

Most of the characters for the warband were actually converted back in 2013, if you can believe it. With T’L’Kess finished, I actually had three finished members for Inqusitor Alvar’s retinue:

There’s the Inquisitor himself (in the middle), T’L’Kess the Kroot and an as-of-yet unnamed sanctioned psyker, formerly of the Astra Militarum, but cast out by his regiment when an encounter with a Xenos artifact led to some psionic friendly fire…

And here’s the rest of the retinue as it looked at that point:

In addition to the aforementioned characters, there’s Professor Abelard Marbray, renowned Xeno-Archaeologist from the Bastold Imperial Akademy and his personal research assistant, a member of the reclusive “Ashers”, an ethnic group facing a lot of prejudice throughout the Velsen Sector. Another Astra Militarum veteran and heavy weapons specialist for when things get ugly. Millerna Acheron, voidship captain and Alvar’s Interrogator. Not pictured: Shiv Korlund, a former hive ganger (based on one of the old Escher metal models).

With the Kroot model painted, I actually wanted to keep going, so I chose to work on the heavy weapons specialist next:

I like the big gun and the “tough as nails” look and imagine this is the kind of guy Alvar makes use of when negotiations turn sour and diplomacy is no longer an option. The original idea for him – way before then new version of Necromunda was released, mind you – was that he could maybe look like a former hive ganger (similar to the gangers from House Goliath) that had ended up joining the Astra Militarum at some point. And I still see him that way, basically: An Astra Militarum veteran and former memer of a working gang (with an extra emphasis placed on the word “gang”) from an Imperial factory world. His clothes and equipment were therefore painted to look as though he were wearing a mix a mish-mash of his former regimental colours, his working gear from the manufactoria of his homeworld and a couple of Inquisitiorial emblems here and there. I have also taken extra care to make his armour and leather apron look scuffy and well used, as you would expect from a working man like this. Take a look at the finished model:

For the icon on his shoulder, I combined two decals: An AdMech cog symbol and a small Astra Militarum emblem. This seemed like a fitting symbol for a regiment hailing from a factory world.

Oh, and adding those little symbols and markings to the grenades on his backpack was such a frivolous yet enjoyable little detail…

In my background ideas for the warband, he also has a bit of a war buddies thing going on with T’L’Kess the Kroot (whom he calls “Birdman”), in spite of everything:

So that’s two new members for Inquisitor Alvar’s retinue, and two long neglected models to cross off my list. Yay!

But wait, there’s more: Seeing how I was on a bit of a roll here, I decided to dig out another long-neglected model of mine that I think deserves some sort of closure. This gentleman here:

This is Lord Sebastianus Danver Balzepho Vlachen, one of the Velsen Sector’s big movers and shakers — and also a bit of a hero of the people. At the same time, he also has a darker side to him, and is ruthlessly ambitious. As grand-nephew and heir apparent to the ailing sector governor, he seeks to succeed his great-uncle as sector lord, and he is every bit as ruthless and ambitious as you would expect of somebody so far up in the Imperial nobility. At the same time, his connections to the Velsian Astra Militarum and supposed battlefield heroics have endeared him to both the military’s top brass and the common people. But again, there’s often a less respectable side to his character: For instance, he wears his scars with pride, having both a bit of a dueling history and a reputation as a grizzled veteran, but the truth is that the nastiest scar on his face actually came about due to a confrontation with one Cpt. Esteban Revas of the 126th Haaruthian Dragoons (read the full story here):

Anyway, Lord Sebastianus was one of those conversions I was really, really happy with. But he still ended up in a box, partially painted, and has stayed thus for years. Enough, I say! So here’s a PIP-shot of the mostly finished model:

It’s a really great feeling to be able to finally cross some of those old chestnuts off my list of unpainted stuff. And it’s fun to be back in the world of INQ28 for a spell!

Of course I would love to hear your thoughts on the models, so feel free to leave a comment! And, as always, thanks for looking and stay tuned for more!

Hey everyone, Real Life (TM) has been a veritable rollercoaster lately, so I haven’t been as productive on the hobby front as I would have liked. If anything, however, that’s actually a plus because it frees up some space to share a couple of chaotic kitbashes I have been creating by putting the “new” (granted, they have been around for a while at this point) Chaos Space Marine kits through their paces. Take a look:

I. The Blightwood grows…

The first model I would like to share with you today isn’t even such a huge project, but rather an example of using some óf the new bitz to spruce up existing conversions. Enter exhibit A, a kitbashed Foul Blightspawn I created earlier this year.

My original idea for the model was to a) make the most of a leftover extra Malignant Plaguecaster model that I had cannibalised for bitz and use the remains to build yet another Death Guard character and b) get rid of some of the parts of the stock Foul Blightspawn that I really didn’t like, such as the massive pump sutured into the model’s flesh and the weird garden hose-style weapon.

So the original model was already working pretty well for the most part, but it was also still lacking something — and to make things worse, before the new CSM models were released, I didn’t have any correctly scaled CSM parts to tweak it a bit more.

But a headswap, courtesy of the new vanilla CSM kit gave me this:

I didn’t really like the CSM head with the one “googly” eye (normally intended for the squad’s heavy weapons expert), but it works really well for a follower of Nurgle. I spliced together a breathing apparatus as well, while I was at it, and opened up the pose a bit.

I am still rather fond of the core idea of the conversion – using an Escher chem thrower to make a slightly more conventional version of the Blightspawn’s stock weapon – although I think I also did a reasonably good job splicing together one of those WW I-style Blight grenades from a couple of bitz:

I also saw an extremely clever idea over at ssspectre’s blog that I had to steal right away: He used a turbine from a Raptor jump pack to create this kind of weird, bulky engine/pump on the back of a Nurglite model, and I did the same on my Blightspawn conversion, adding a bit of bulk and weirdness to the backpack.

In fact, I even made one more tweak after taking the photos above, adding some semi-organic cabling to the backpack that I carefully clipped off one of the new Havoc rocket launchers and backpacks.

And, just for fun, a comparison shot with my (slightly converted) Plaguecaster and the new Blightspawn — both use the same base model:

After using some smaller bitz and bobs from the new CSM kits like that, I felt the need to get a little more creative. So that’s what I did:

II. Iron Within…

This next model is a slightly bolder project, and also makes even more use of the new CSM kits: I had an idea for a Warpsmith-like Iron Warriors character, eventually to be used in my Iron Warriors Killteam I suppose. So I made this guy:

The body intended for the heavy bolter wielding marine from the vanilla CSM kit made for a nice start, providing a suitably bulky, archaically armoured body with a stoic pose. The arms and shoulder pads also came from the vanilla CSM — for the most part. I did feel the need to include a somewhat more impressive weapon for a Warpsmith of the IV Legion, so I spliced together the left arm using an (Age of Sigmar) Varanguard hammer and a forearm and haft from the Chaos Lord on Manticore (since I needed a left hand holding a weapon for this conversion). The backpack started out as a backpack from the new Havoc kit: I really liked the reactor look it had going on! I simply shaved away some of the cabling, added a loader arm (from a Havoc missile launcher backpack) that should work just as well, if not better, as a proper servo-arm, and also added some tech-y bitz – including the heavily augmetic head – from the Adeptus Mechanicus Kataphron kit.

I think the model proves how even the vanilla CSM kit,with just a few bitz from other kits sprinkled on top, can be used to produce rather imposing characters and commanders!

IV. The Hateful Eight cont’d

All roads lead before Khorne’s throne, however, so those earlier kitbashes were merely an appetiser before the inevitable main course. Which is a roundabout way of telling you that I have been slowly tweaking away on what may (should) eventually become that World Eaters kill team I have already told you about — “The Hateful Eight” (or ten or sixteen or whatever…). Here’s a look at my short list of future kill team members, so to speak:

Now you’ve seen many of these before in some shape or form, for which I apologise. Also, half of them are repurposed older models, but I think they are still cool enough to warrant a modern paintjob:

I’ve been making tweaks to them, exchanging a weapon here or adding some grenades and Khornate doodads there. I am particularly fond of this guy, made by combining a Blood Warrior from the Age of Sigmar 1st edition starter box and the lower half of the CSM Vrash Tattersoul champion model:

There’s also a couple of “new guys”, however: Fresh conversions that rely on the new kit in some shape or form:

On the far right you can see my “test berzerker” from earlier this year. Then there’s this gentleman, converted from yet another AoS starter box Blood Warrior:

I always knew I would want a model wearing a clunky Heresy-era helmet to accompany its baroque armour, and this is that model

Fot the next two models, I thought it might be fun to try and channel some of the most iconic (or interesting) pieces of World Eaters artwork and build models inspired by the art. First up I chose this very cool concept for the “Teeth of Khorne”, the World Eaters’ dedicated heavy weapons specialists, created by Jes Goodwin during the early 90s, I would imagine:

Artwork by Jes Goodwin

I realised that many elements of the new havocs strongly resembled this piece of art to begin with, so I tried to come up with something similar.

For the most part, this is really just a stock havoc. I replaced the head with a shaved-down Blood Warrior helmet and tweaked the backpack a bit. Also, since I didn’t have a plasma cannon, I was unable to perfectly replicate the art and had to choose a replacement — a missile launcher seemed suitably brutal and straightforward for a World Eater, though…

And then there’s this guy:

Any ideas about the inspiration for this one…?

That’s right, it’s a model built to resemble this iconic piece of art by Mark Gibbons (supposedly showing Khargos Bloodspitter, of all people):

My idea for this conversion was born when I realised that both the straighter legs and the power fist included in the CSM kit would allow me to build something pretty similar to the artwork — but while the above mockup worked as a proof of concept, the conversion needed a lot more work! So here’s what the finished conversion looks like:

Some parts of the conversion are actually a departure from the artwork, albeit a conscious one: The first helmet I used is arguably closer to the artwork, for instance, but the one on the finished conversion (provided as part of a bitz drop by fellow hobbyist ElDuderino, by the way), exudes just the kind of brooding menace that the model needed.

Funnily enough, the model also serves as a pretty neat shout out to some really old World Eaters models, thanks to the static pose:

And here’s the new guy, next to my test World Eater from earlier this year:

So, as you can see, I am actually back to converting World Eaters again — at least for a bit. And I am not even finished, either. Here’s a small teaser of things to come…

V. Burning Man

For now, however, let us wind up this post with a bit of background: I prepared a little background vignette for the counts-as Huron Blackheart model I shared with you a while ago. Take a look:

„The burning never stops.“

This is the sentence he remembers above all else, because it has come to encapsulate his entire existence. While the memory of an Astartes is eidetic in nature, his long life has become a number of disjointed, fragmented moments, with entire decades mostly unaccounted for. But one thing remains. One thing binds everything together and defines him. One sentence neatly summarises it all.

“The burning never stops.”

He remembers how the sentence from weapons instruction returned to him, at the very moment that he saw the phosphex charge go off. The bridge was a pandemonium of blood and death, but everything was frozen into place for just one instant. He saw everything in incredible detail. The battered VII Legion Breacher team that, against all odds, had made it to the bridge in an attempt to bring down a leviathan from within. The mangled face of the Fist throwing the phosphex grenade at him. The eyes already staring into infinity, waiting for a death that would come in mere seconds. The explosions of the weaponry discharged by the other surviving breachers. The chainblades of his brothers falling in slow motion, trying to bring down the enemy. But slow, far too slow. And the green white fire of the phosphex charge, enveloping him at last, and flooding his every fibre with liquid agony, just seconds before the main viewport burst into a million armourglass shards, opening the bridge to the void.

He remembers Terra. The Throneworld twisting below him, above him, behind a curtain of voidships on fire, as he tumbled into blackness. The cold void that was the only thing that could have extinguished the flames that were swallowing him. But even when the fires went out…

…the burning never stopped.

He remembers coming to in a red haze. The sounds of the Apothecarion. The klaxons and warning beeps. The mirrors above the surgical slab showing him a lump of molten, misshapen flesh that he did not recognise. And Deracin’s half-augmetic face floating above him, like a hint of things to come. The Forgemaster locked eyes with him and smiled. And he knew that he would not be allowed to die.

He was rebuilt. Into a strange amalgamation of oh so little flesh and bone, iron and pain. Oh so much pain. He became a construct. Like the gholam of old Terra. And through it all, the pain of an unquenchable fire kept coursing through him, racing along nerve clusters that should have been cauterised beyond any function. Along iron bones that shouldn’t have been able to feel, but did. It has been thus ever since: His every waking moment is pure agony. Inhale. Pain. Exhale. Pain. The nails are but pinpricks to him. He is, eternally, on fire.

His wrath and pain almost seem like a separate entity. When he does battle, and his every cell is burning agony, he can almost see something take shape from the corner of his eyes. Something rough and bloody that is glowing in its own inner malevolence. It is growing all the time. There will come a time when he will finally meet it face to face, this thing he keeps feeding with his pain and with the pain of others.

He keeps losing time. Battles often turn into disjointed shards of perception for him. When he sees glimpses of that strange spectre that seems to shadow him, inexplicable things happen, and he is merely a spectator in his own body: His flesh turns into liquid flame, and he becomes capable of feats that should be beyond his patchwork body. He awakens to arcs of warp fire cascading from his axe and augmetic fist. He comes to in a world of cinders and flaking ash, with his enemies’ lifeblood running down his chin in rivulets. He sees the wariness in his brothers’ eyes, and to see such emotion play across their ravaged features would make him smile, if that expression were not lost to him.

And through it all,
The burning never stops.

It goes without saying that I would love to hear your thoughts on these models! And, as always, thanks for looking and stay tuned for more!

Another chaotic WIP post of sorts this week, although this is actually my way of sharing something that I have already teased in my previous post — so what is this about?

As some long-time readers of this blog may or may not remember, a  couple of years ago, I made this guy:

Lord Captain Lorimar, the Master of the Hunt, commander of “Khorne’s Eternal Hunt”, the remnants of the World Eaters’ 4th assault company. Easily one of my my most involved conversion projects, if only it took me so long to get the model right:

I have talked – at length – about what went into creating this guy and about what a huge project it was for me to nail down the exact look I wanted for a character of whom I had a pretty good idea in the back of my head. And while I don’t want to reiterate the entire journey of creating the model (just follow the link above and read up on the whole story, in case you’re interested), building Lorimar was a very iterative process with many starts and stops. The process also resulted in what I thought back then would be a definitive version of the Master of the Hunt.

But then this guy happened:

And I just couldn’t stop wondering — what if…?

It was always clear that the update Abaddon would be a monster of a model — and he is! But I am a converter and kitbasher by nature, so I wanted to have a go at doing something with the building blocks provided by the new model –the sheer challenge appealed to me: Would it be possible to create a model that didn’t immediately read as Abaddon? There was also the fact that I still had some spares of the most important bitz I had used to create the original Lorimar model, namely the head (from the priest riding atop the WFB/AoS warshrine of chaos), sword (from the WFB/AoS Chaos Lord on Manticore) and axe (from one of the Dark Vengeance CSM Chosen). These bitz were originally intended for building a version of Lorimar riding a juggernaut of Khorne. But I just couldn’t stop thinking about a conversion involving them and the new Abaddon model…

For a while, I was able to dissuade myself from taking on this project because I figured the new Abaddon model was simply too big — that it wouldn’t really be compatible with the particular bitz I would need to actually sell it as Lorimar. However, a trip to the local Warhammer store disabused me of that notion, as I was able to see firsthand that the new Abaddon, while indeed much taller than your average CSM model, is actually perfectly compatible with just about any existing chaotic weapon, head or what have you. So what was I to do? I left the store with a brand new Abaddon model and got to work…

Now, to make my task even more complicated, whatever model I would come up with would have to match both my 40k version as well as my (yet unpainted) mid-to-late Horus Heresy version of Lorimar:

So I started with a few early mockup steps, and it was surprisingly easy to come up with something already resembling the “Lorimar pose”:

The main objective here was to make the model read as Lorimar, obviously. But, like I said, with a model as iconic as Abaddon, the obvious pitfall would be for the conversion to end up reading as “Sure, that’s Abaddon with a slightly different head”. My approach was therefore to keep as many of the cool parts as I could while also changing around some major stuff, in order to sell the model as its own thing.

The biggest stylistic choice I made towards this end was to “turn the model around”, as it were, that is to have it face into a different direction, thereby matching the pose on my earlier Lorimar models — ironically enough, I have had to do the exact same thing with the 30k version of Lorimar

After that, it was mostly a matter of getting some of the visual cues from the earlier versions in place — here’s a couple of pictures from when my mockup was quite a bit further along:

Some of the elements from my earlier Lorimar models were easy to recreate, such as the face, weapons, general pose — and those Bloodletter faces on the shin armour

At the same time, it quickly became obvious that I would need to switch around a few things: The Khornate helmet crest I had used on my older Lorimar version, for instance, wouldn’t work, because there was simply less space to work with, so I had to swap in a different crest (shaved off a Wrathmonger/Skullreaper helmet). The (Skullcrusher) shoulder pads wouldn’t work either this time around: Since I knew I wanted to use the brilliant, tattered cape that came with the Abaddon model, I was pretty much stuck with the “official” left shoulder pad, seeing how the cape was sculpted to perfectly conform to the shape of the pauldron underneath. So I had to go with something different on the right shoulder as well and ended up using a shoulder pad from Forgeworld’s Lord Zhufor model — which had the added advantage of sporting some rather lovely World Eaters iconography!

During the conversion process, I kept comparing the new model to the other versions, to make sure it would seem like a natural progression of those designs and still end up similar to both Lorimar’s 30k and previous 40k incarnations:

The breastplate turned into one of the model’s most involved parts: My previous versions of Lorimar are wearing a bandolier of skulls across their breastplates, and that was an element I very much wanted to keep, both because it ties perfectly into the World Eaters’ background lore — but also because skulls strapped to the breastplate are awesome, period. So I made a quick mockup of what this might look like:

And even though this was a really early mockup, it didn’t quite click — in fact, someone over at The Bolter & Chainsword even called the design the “skull tits” — Tsk, tsk

In the end, I decided on something quite a bit more complicated and spliced together an entire original, incorporating elements from Abaddon’s stock breastplate (which is brilliant) as well as a couple of skulls from the Citadel skulls kit as well as one particular skull with a Khornate rune from an AoS Slaugherpriest. Take a look:

I started by gluing on the centre skull (without the mandible, by the way. That was added later.). Then I carefully cut the lower two cables away from the stock bit that normally goes on top of Abaddon’s breastplate and carefully glued them on in the right way (making sure they were positioned correctly by making sure they lined up with the cables on the back of his torso). Then I added the right skull (and shortened/shaved away the cable underneath as needed), and then the upper right cable (again, I made sure to line it up with the cable bit on the back piece of the torso). Then I repeated the previous step with the skull and upper cable on the left side.

All of this required lots of dry-fitting and waiting for things to dry. Finicky though this part of the conversion may have been, however, I am really happy to have gone with something a little more complicated in the end: The finished design is one of my favourite parts of the model now.

So here’s the model, with most of the “heavy lifting” already done and dusted:

The next step was to try and attach Abaddon’s cape:

Surprisingly enough, everything fit together rather nicely, with just a few required tweaks on the right shoulder (because I had used a different shoulder pad there).

One thing I am almost perversely proud of is that the model is still ridiculously modular at this point, which I hope should make the painting process somewhat easier:

The tweaks and changes to the model kept getting more and more minuscule at this point, which is always a pretty clear sign that the conversion is basically finished at this point. I still used the opportunity to feature some of the visual cues from the older 40k Lorimar, though, such as the small tilting plates on his shoulders:

So here’s a comparison with the new conversion and my previous 40k Lorimar which I think shows how both really read as the same character — even though the new guy is monstrously tall

And here’s the new 40k Lorimar next to his younger, slightly more idealistic Horus Heresy era counterpart: I think there’s quite a resemblance here as well!

Ironically enough, the conversion is also really close to one of my main inspirations back when I originally built Lorimar:

image appears courtesy of Games Workshop

All that is left now, before I can call the conversion finished, is to figure out the final setup of some minor bitz and bobs, such as the collection of bitz used on Lorimar’s tabard:

All in all, however, I couldn’t have been more pleased with the way this conversion has developed so far: I will admit that I was a little afraid that I might have lost my touch, because converting the new CSM didn’t come to me quite as easily as it used to. But working on this conversion has been an absolute joy so far — in all fairness, I actually think the new Abaddon should be the new go-to model for building massive chaos lords. It’ll be interesting to see how much mileage (and variety) we’ll all manage to wring from the sculpt! If anything, I am slightly surprised by how few people seem to have used the model for conversion projects so far. At the very least, I love the fact that fellow hobbyist Gederas has used some of my ideas on his own Abaddon-based Chaos Lord, Khadon Drachstur, but has managed to come up with a very original looking World Eaters lord!

So yeah, that’s it for today’s update. It goes without saying that I would love to hear your thoughst on my new Lorimar version, so feel free to leave a comment! And, as always, thanks for looking and stay tuned for more!

Hey everyone, I have been slow to update the blog — September arrived and saw both my parents in the hospital (and for different reasons, at that), so this has been a really tiring couple of weeks. The situation is also still ongoing, unfortunately enough — so please keep your fingers crossed for me!

It should be no surprise, then, that the overall situation has had a bit of a negative impact on my hobby mojo and productivity. So I only have a smaller update for you this week, and one mainly dealing with WIP models again. Anyway, what is this about?

For today’s – brief – update, I want to revisit one of my INQ28 projects that fits squarely into my recent attempt to explore some of the political figures populating the Velsen Sector, such as my recently painted conversion for Lord Sebastianus Danver Balzepho Vlachen, heir-apparent to the ailing sector governor:

Anyway, characters like this are a part of what Dan Abnett refers to as “domestic Warhammer 40,000” — the world one degree removed from the endless battlefields of the 41st millennium — or maybe not…

But anyway, one of these “domestic Warhammer 40,000” projects of mine is a retinue representing the “Mandelholtz House of Imperial Finance”, one of the Velsen Sector’s mahor political players. To quote myself from last year:

The inspiration for this came from Joe Abercrombie’s First Law series (and from his other books set in the same universe), where the banking house of Valint & Balk has a finger in each and every pie, and happens to be one of the most insidious influences present in the entire setting, always playing both sides, so the bank always wins. Which strikes me as both very grimdark and also, unfortunately enough, rather realistic.

So I came up with House Mandelholtz, or “The Mandelholtz House of Imperial Finance”, to quote its full title, Velsen’s own banking house. I see them as one of the sector’s big movers and shakers, and like any good evil banking house from history’s great dark hall of fame, they get to throw around their weight a lot. If you’ve seen the series Taboo and remember the way the East India Company gets protrayed in that series, THAT’S what I want House Mandelholtz to feel like.

Anyway, the Mandelholtz board of directors is a shadowy assembly, and very few people in the sector actually know who holds a stake in the house’s businesses. Which lends itself rather beautifully to all kinds of Inquisitorial dabblings and should work great as a storytelling device.

I have quite a few ideas to flesh out my concept for House Mandelholtz — and of course that includes having the faction represented on the tabletop by some kind of retinue or warband. I actually finished the most important conversion for the project some time last year: The model to represent the Countess Mandelholtz herself:

The Countess was only one of the characters I envisioned for the project, however: Another was one Azaleas Vile, one of the house’s most high-ranking operatives.

He is a banker, to be sure, but the countess also entrusts him with some of the most delicate tasks as well as some of the most hideous acts to be committed under the house’s orders, with the ultimate goal of furthering House Mandelholtz’s aims. So I needed a model that would look as though the character were quite at home in the boardrooms AND the ballrooms of Velsen, yet would also be able to hold his own in the underhive as well. I also didn’t want Azaleas Vile to look like just any other grimdark fighting type — quite a challenge I had set for myself…

The actual conversion began when Kill Team: Rogue Trader was first released, or rather, when I first saw the model for Voidmaster Nitsch:

I really liked the erect pose and poise of the character, but more than anything, I was intrigued by one particular detail: Unlike just about every other model in the 40k catalogue, Nitsch is wearing some rather “civilian” pants: no boots and combat trousers, no robes, but rather something you would see in a rather more domestic setting — I knew that he would be perfect as a starting point for my Azaleas Vile conversion.

So when I was recently able to pick up the Voidmaster Nitsch model for a good price, I knew the time had come to finally get to work:

I really wanted to swap in a different head, obviously. I had envisioned Azaleas as at least reasonably handsome, and I picked up a couple of Empire Greatswords bits, mostly in order to get my hands on the particular head I wanted to use for the conversion — pictured next to the base model in the photo above.

After a bit of messing around, I realised I would have to get rid of the arms and replace them: They seemed just a tad too combat-oriented, and I wanted a model that seemed a bit more subdued and not as openly aggressive.

So here’s what I came up with. Meet Azaleas Vile, everyone:

While I re-used Voidmaster Nitsch’s right shoulder pad – for a dash of grimdark couture – I also made sure to make the other shoulder look suitably sharp, like something you might see on a tailored suit.

The briefcase (originally a from a Tempestus Scion medic) was a spur-of-the-moment idea that I am so proud of in hindsight — he is a banker, after all!

If anything, the model is actually still slightly too military-looking for my taste, but I still think the conversion is a fair compromise between how you would see Azaleas Vile in a boardroom and the getup he would choose for a nasty wetwork operation downhive…

After finishing the conversion for Azaleas, the dear countess herself didn’t escape my scrutiny either, so I made another tweak to her model as well: When I originally built the countess, I gave her a lumpy, hideos crypt ghoul back to hint at the fact that rejuvenat treatments had taken her as far as possible:

But while I liked the element in principle, that lumpy back with its bristles still seemed a bit too on-the-nose on the finished model.
Now among a couple of WFB Empire Greatsword bitz I had picked up was a ridiculously huge feather that seemed like the perfect bit to glitz up the countess a bit:

The feather covers up at least some of the mess (while also leaving just enough visible to keep the overall effect suitably disturbing). It also makes her outfit even more outlandish, which I love — I believe 40k court outfits should be completely over the top!

So yeah, House Mandelholtz is slowly taking shape! Here’s an early mockup of what an eventual House Mandelholtz warband, including Azaleas Vile, the Countess Mandelholtz herself, and some of the house’s scribes, might look like:

In fact, I have already started experimenting with a possible recipe for some kind of household guard for House Mandelholtz, but haven’t managed to find the right angle yet: Would such operatives be extremely effective special ops soldiers? In that case, something based on the Van Saar gangers from Necromunda might be the right approach. At the same time, I also like the idea of a household guard that is a bit more ceremonial and ostentatious — think the Swiss Guard, only in the 41st millennium. So I have begun playing around with some of the Empire Greatswords bodies and some Skitarii parts for some kind of “Neo-Prussian” palace guard look:

But that’s not quite it, either — not least of all because the model does look a bit runtish, doesn’t it? Anyway, if anybody has an idea for a fitting and cool looking recipe for House Mandelholtz’ household guard, I would be happy to hear i!

And it goes without saying that, in any case, I would love to hear your thoughts on these models! And, as always, thanks for looking and stay tuned for more!

Hey everyone, time for another update: I still have to spent way too much time on hospital visits, but I nevertheless thank you guys for all the well-wishes! It really means a lot!

If nothing else, I have managed to be a bit more productive in hobby terms, mostly thanks to another painting session at my friend Annie’s place.

So what do I have for you today? — More finished members for my Ordo Xenos warband, as it happens.

And that’s a good thing, really, because this particular retinue is one of my oldest INQ28-related hobby projects, and it’s always a great feeling to be able to cross some long-neglected models off my list of unpainted stuff!

Inquisitor Alvar’s warband was actually originally started in 2013, with several of the models also first conceived back then.

In hindsight, the warband almost seems like a primitive precursor to the colourful group of adventurers that would end up in the Blackstone Fortress boxed se:

— overtaken by GW’s own release schedule, now that is one for the news

But anyway, all the more reason to finally show this project some love! So I’ve managed to add two more finished members to the warband, and I have also taken some new photos of all the characters so far, so let’s start by going through the members of Inquisitor Alvar’s retinue:

First up, the Inquisitor himself: Titus Alvar of the Ordo Xenos Velsen — Inquisitor, socialite, adventurer:

There’s an as-of-yet unnamed sanctioned psyker who is also a member of Alvar’s warband. My vague backstory for him is that Alvar picked him up while he was under Inquisitorial audit for some psionic “friendly fire” caused by the presence of a Xenos artifact.

Next up,  Zekariah “Foreman” Lunn, Inquisitorial operative and veteran of the Eisenberg Factory Guard:

And T’L’Kess, Kroot tracker and scout, and possibly the last survivor of his kindred:

So much for the members of Alvar’s retinue so far, but what about the new blood? Well, let’s take a look!

First up is Inquisitor Alvar’s interrogator, Mamzel Millerna Acheron:

Now this is actually not a GW model, but actually Reaper Miniatures’ “Sasha Dubois, Time Chaser”, from the Chronoscope line of models. I will say, however, that it almost looks like a missing GW sculpt from the late 90s or early aughts, with maybe a dash of Chris Fitzpatrick, especially in the face. Anyway, I mostly picked up this model a couple of years ago because I liked the sculpt so much — but I quickly realised that she would go really well with the rest of Alvar’s warband, and she even mirrors some of the visual cues that appear on the Inquisitor. To wit, one of the most popular paintjobs of the model to be found online even uses a colour palette that is somewhat similar to my recipe for Alvar:

In any case, this was defnitely one of the paintjobs I kept putting off for years for fear of messing up. At the same time, I didn’t want the model to perfectly match Alvar’s look, but rather to complement it. Here’s what I came up with:

Seeing how several details appear on both Alvar and Millerna (such as the epaulettes, coat, the goggles on the forehead,…), turning the models of echoes of each other to a degree, I thought I could get away with a blue-ish/turquoise coat. I also see Millerna as the scion of a voidfaring family, so a slightly naval look did seem appropriate (and worked well with the golden elements on her coat as well).

I also took the liberty to not paint her with a bare-midriff, as that seemed a bit too gratuitous and risqué for a professional Inquisitorial operative. Instead, I tried to achive the look of combat fatigues or an armoured bodyglove, which I think is a far better match for a character like this. I am really very happy with the finished model, if I do say so myself!

Here’s a group picture of Inquisitor Alvar and his interrogator, and I’d say they work very well together:

With one tough challenge behind me, I was feeling cocky enough to start painting one of the first conversions created for the retinue, and a rather involved one at that. Professor Abelard Marbray, renowned Xeno-archeologist of the Bastold Imperial Akademy:

To quote myself from back when I originally came up with the character:

“It also stands to reason that an Inquisitor exploring Xenos ruins would have need of a specialist in the field of archaeology. And indeed, while painting the model for Inquisitor Alvar, inspiration struck and made me want to convert one of the most underappreciated WFB plastic characters, the Empire Master Engineer — at least, it’s the only model that’s ALWAYS available at the FLGS and never sells out. And to be honest, it used to be the one model I couldn’t see myself using for anything. But it just seemed perfect for this:”

Using the – now OOP, ironically enough – Empire Master Engineer did make for a somewhat quirky model, but that was really just the look I wanted, even back then: Equal parts nutty professor and mad scientist, and also the look of an old gentleman academic going on a grand adventure in what he considers his best possible gear for the great outdoors.

It’s also a rather cluttered and busy model with lots and lots of detail to paint, so to finish the professor did take a while. But here he is, ready to travel out into the sea of stars — FOR SCIENCE!

That bulky, voxcaster-based thing on his back is supposed to be some kind of portable cogitator, by the way, allowing him to file and cross-reference his findings even while working in the field. I imagine it even makes an old-fashioned “ding” sound when finishing with a calculation

I built the professor to be contemplating a rusty, dirty Necron skull, as you can see, unsure whether this is an artifact of a Xenos culture or actual part of an alien. There’s even a patch of bright silver where his fingers have wiped away some of the dust and grime of the ages (although you probably have to take a close look to see it):

This was another paintjob that I had been putting off for a long time — and to finally have completed these two characters really does feel like quite an achievement — silly, I know

In any case, this brings Inquisitor Alvar’s merry band of rogues and adventurers quite a bit closer to its completion. Here’s the entire retinue so far:

As for future additions, there are actually four more possible members for the warband. Take a look:

From left to right, there’s a Magos Xenobiologis of the Adeptus Mechanicus, now on permanent secondment to the Ordos, Professor Marbray’s research assistant, a Squat/Demiurg (or whatever you want to call them — I thought it would be a fun model to throw in) and Shiv Korlund, a female hive ganger, represented by one of Jes Goodwin’s vintage Escher models.

Looking at the retinue now that it’s starting to come together for good, I realise that the warband definitely owes a debt of inspiration to the Inquisitorial retinue fellow hobbyist Lamby is currently working on (and, to be exact, has been for a while). This wasn’t really a conscious decision on my part, but I cannot help feeling some of my models echo the design cues you can see in Lamby’s work, and there are subtle similarities here and there that must be due to my following his warband taking place over a similar number of years. So cheers, mate! And great to see you working on your stuff again!

I am also happy to finally be able to contribute something to one of Azazel’s community challenges again, as my attempts to finally finish Inquisitor Alvar’s warband should definitely qualify as a part of his Squaddie September ’19 challenge.

As is usually the case, I would love to hear your thoughts on the models, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

At the risk of boring you all to tears – those of you who still bother reading this, anyway – I am still hard at work on my Ordo Xenos warband, and it feels like I am on a bit of a roll with these guys. Don’t worry, though: There’s an end in sight. To wit, here’s where we left off last time: The remaining unpainted members of Inquisitor Alvar’s retinue:

Given the fun I recently had painting Professor Abelard Marbray, I thought his planned research assistant would be a good next model to take on:

This entire model basically began with the realisation that Marbray would totally be the type for bringing along some kind of assistant, and I wanted to create a model that both looked like a researcher while also seeming at least reasonably able to look after itself. The conversion is pretty simple, actually, mostly combining WFB Empire bitz and parts from different Cadian sprues.

During the painting process, the research assistant turned out to be one of the models that end up looking awfully bland once the main colours have been blocked in:

Fortunately enough, things started to look up pretty quickly after the washing stage. So I now have another finished model. Meet Researcher Tancred, everyone:

The objective here was to have him match the Professor himself, as they are (or were) both members of the Bastold Imperial Akademy, so I used a similar palette: At the same time, I also wanted to subtly hint at a bit of a possible military past, hence the subtle IG elements.

All in all, I think I have managed to create a pretty workmanlike, slightly downtrodden look that I think really works for the character: He’s definitely the guy for the odd jobs, not yet having climbed to quite the same lofty academic heights as the professor himself, but Tancred’s still nobody’s fool, and he knows how to pull his weight.

I also wanted to include a couple of characterful little touches. For instance, Tancred is busy looking at some kind of map, so I decided to carefully draw on some kind of floor plan (possibly of an ancient ruin or something):

I think Researcher Tancred and Professor Marbray work pretty well together. Take a look:

At this point, I felt I had earned myself a little fun, and there are few things as entertaining as working on a creepy Adeptus Mechanicus character, so I chose the Magos Xenobiologis as the next model to work on.

This character began in two different places: He seemed like an interesting counterpoint to Professor Marbray, for one, looking at the same subject matter (Xenos) from a different angle. The idea also provided me with the perfect excuse to work on a brilliantly creepy model I have had in my collection for quite a while now:

The Magos Xenobiologis is a subtly converted Forgeworld model (originally a Tech-Servitor that comes with Inquisitor Solomon Lok). I only really made one change to the stock model, replacing the tangle of cables and dataspikes emerging from his left sleeve with a pretty creepy metallic claw — this guy just loves to take apart Xenos and find out what makes ’em tick The fact that his robes recall both a lab coat as well as a butcher’s apron really support that impression…

Another, fairly recent, addition was a servo-skull that started as a fairly spontaneous little converting exercise, yet seemed like a pretty fitting addition to this model:

When it came to painting the model, I stuck to the classic approach and went for red robes, silver and bronze metallics and pallid skin. That said, I tried to achieve a somewhat grungy look to support the already pretty creepy sculpt — the Magos is often at work in the field, and I wanted the paintjob to reflect that.

So here’s Magos Xenobiologis Harland Leitz, on permanent secondment to Inquisitor Alvar’s retinue:

the different angle reveals the servo-skulls pretty disturbing syringe…

I am actually really happy with this model: He’s a creepy bugger, and the paintjob really supports that impression, if you ask me:

So there we are: Two more members for Inquisitor Alvar’s little club. The Inquisition dropship must be getting a little crowded just about now

That being said, I love the idea of Inquisitors having a rather large team of retainers and choosing a suitable “away team” from this talent pool whenever the need arises.

So, looking at the picture at the top of this post, that leaves only the squat engineer and female hive ganger — so let’s see when I’ll be able to get those finished…

Oh, and seeing how today’s models were actually finished this last weekend, I hope Azazel won’t mind my handing them in as yet another contribution to his Squaddie September ’19 challenge.

In addition, I would, of course, love to hear your thoughts on the models, so please leave a comment!

And, as always, thanks for looking and stay tuned for more!

In between all of the shadowy, Inquisitorial dealings, I had an appetite for something a little more blunt and straightforward, just as a little snack, so to speak. And what could be more straightforward than a follower of Khorne? “Chainaxe to the head”-types, all of them. So for this week’s update, I have some World Eaters to share with you!

A while ago, I talked about the models for a possible World Eaters killteam – codenamed “The Hateful Eight” for now – and showed you some of the possible models for it, some of them brand new, and some refurbished earlier conversions of mine. And it’s from this last category that I chose my two models for today:

To get things started, I chose a model that I built years ago. This gentleman here:

It’s one of my unpainted conversions that I feel still hold up next to the new CSM models, so it seemed like a good moment to finally put some paint on the guy. Oh, and to be fair, the model did get a new axe while I was at it. Anyway, I quickly made good progress with the paintjob:

One of the things I really want to push with my new batch of World Eaters is a certain variety of skin tones, at least where unhelmeted heads and bare arms are concerned: The World Eaters are, canonically, an ethnically diverse legion that recruited from many different homeworlds during the Great Crusade (and probably still does, given the scavenger nature of most traitor legions in the 40k timescale). Only my World Eaters never bore out that diversity because I would always use the same, greyish skin tone for all of my older models — pretty effective as far as paint schemes go, but seeing how I am trying to evolve my painting for these new models, it seemed like the perfect excuse to experiment with a wider set of skin tones as well. So I went with black skin on this model, and I am very happy with the result — even moreso because the recipe was almost laughably simple: Just basecoat with GW Doombull Brown, wash with a Fleshtone and mix the base colour with a bit of white for the highlights — done! I also used the highlight colour to add some nicks and scratches to the face to suggest old scars.

One thing that was really surprising to me was how adding the backpack really made this model: It should be such a trivial thing, really, but in this case, it’s what really makes the model read as an Astartes: With the backpack in place, it has the silhouette and bulk it needs:

After this, it was mostly a matter of cleaning up some minor areas, add a bit of Tamiya Clear Red here and there and finish the base. So here’s the finished World Eater, finally painted at long last:

The next model I decided to tackle is also a neglected conversion, although a more recent one: The model was created using a Blood Warrior from the Age of Sigmar 1st edition starter box, the legs from the CSM Vrash Tattersoul model and a couple of additional chaos bitz (chief among them a Raptor chainsword arm):

It’s a conversion I am really fond of, if I do say so myself, maybe because it’s almost a bit of a shout out to the classic early 90s metal berzerker champions that would always have some kind of running pose going on

Anyway, with the success of the first model still fresh on my mind, I quickly got to work. Here’s the second World Eater, with the base colours already mostly blocked in:

And here’s the finished model:

I am maybe a bit too in love with the model right now, but it’s honestly really close to what I think a 40k World Eater should look like: a massive, baroque monster in serrated crimson warplate.

So here are the next two members of “The Hateful Eight” — it really feels great to have crossed two more items off my list of long neglected models, and I am also really happy with the result:

Incidentally, both models definitely count for Azazel’s current “Neglected October” challenge — and by virtue of the Ork skull on his base (and because berzerkers will slay anything that moves), the second guy also very much counts for his “Orcslayer” theme as well — teehee

So here are the three new Khorne Berzerkers/World Eaters legionaries I have painted so far using this new approach:

Now if you add my counts-as Huron Blackheart (now officially named “Euron Hearteater”, by the way — cheers to fellow hobbyist AHorriblePerson for the suggestion!), the batch of “new” World Eaters is slowly starting to look a bit more substantial:

So what’s next for the Hateful Eight? I think I’ll be working on these two models next:

Interestingly enough, both conversions were inspired by pieces of artwork: I created the model on the left after seeing this illustration by Diego Gisbert Llorens,…

illustration by Diego Gisbert Llorens

…whereas the guy on the right is obviously a recreation of Mark Gibbons’ seminal piece of artwork (as previously discussed).

But those guys are a story for a different time (and my subject matter for a coming painting session, I guess). For now, I would love to hear your thoughts on the new models, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

Hello everyone, and *phew*: It has been quite a while since the last update, hasn’t it? To be honest with you, the last weeks have gone by in a blur, due to all kinds of RL related shenanigans, and it is only this week that I once again find myself with some hobby time to spare. So consider this just a small heads up to show you that I am still alive and kicking — and while we’re at it, let me also share a few small things I am currently working on:

I. Eating worlds, one spoonful at a time…

I don’t have that much progress on my new World Eaters models to share, to be honest, but have been able to sneak in a bit of kitbashing here and there. Like working on a couple of World Eaters helmets, just to build up a reserve of possible heads:

The two helmets on the right are vanilla (new) CSM helmets with added “bunny ears” from the AoS Blood Warriors, whereas the helmet on the left is an attempt at grafting a (old) CSM mouthpiece to a Blood Warrior head, approximating an approach I have seen fellow hobbyist ElDuderino use recently. This exercise has only added to my appreciation of his conversions in this vein, as the process of making it all fit together is a rather tricky one…

With the head finished, however, I couldn’t help myself and tried to come up with a model to fit the converted helmet:

Another marriage of CSM and Blood Warrior bitz, this one — it took me a while until the model finally came together:

I do hope that I’ll be able to get him and one or two of his buddies painted before the end of the year — wish me luck

II. Meanwhile, back at the Inquisitorial fortress…

Another project I have been chipping away at for most of the year is the retinue of Inquisitor Alvar, of the Ordo Xenos. While this is definitely one of my older warband projects, I was happy to make pretty good progress on the good Inquisitor’s operatives earlier this year, leaving me with a growing collection of characterful – and, more importantly, PAINTED – individuals:

At the moment, there are just two more models left to paint before I can call this long-running project finished. Here’s a picture of the last unpainted models from back in October:

Now the Magos Xenobiologis and Research assistant are already done and dusted. Which leaves me with the squat engineer/explorer and the female hive ganger:

I have wanted some kind of squat character ever since I first laid eyes on the Kharadron Overlords for AoS — even as stock models, they are basically the perfect 40k squats, if you ask me, with more of a steam/clock-punk-ish angle and less fantasy dwarf goofiness.

While the model you can see above already worked pretty well as a proof of concept, I did subject the little guy to a bit of fine-tuning. And here’s what I came up with:

Meet Skuldi Kulvar, the penultimate member of Inquisitor Alvar’s retinue:

Granted, for the most part, it’s still a stock Arkanaut model. But I have added some visual clutter and some techy bitz to bring the model more firmly into the 40k universe. I am seeing Skuldi as some kind of explorator/collector who has fallen in with Alvar. I have some ideas in the back of my head for a squat enclave somewhere within the Velsen sector, a rather reclusive group that is focused a lot around heavy industry and organised as some kind of industrial combine. There’s also some technology transfer between them and the local Adeptus Mechanicus, although it’s mostly strictly below the counter (I’ve tried to subtly hint at this fact by using an AdMech barrel on the pistol, though).

Many of the ideas I have for the little squat enclave owe a debt of inspiration to Thomas Plischke’s novel “Die Zwerge von Amboss” (“The Dwarves of Anvil”, unfortunately not available in English, as far as I am aware):

While the series does get less interesting as it goes, the first book provides a really fascinating look at a dwarven empire with a definite late 19th/early 20th century feel, completely build around the ideas of building something of lasting value and performing your work to the best of your abilities, all rolled together with more than a hint of early capitalism. It’s a cool angle of bringing the classic dwarven tropes into a more modern, quasi-industrialist setting, and the book was very much in my mind when I tried to come up with an angle for the squats that would interest me (and move beyond the “fantasy dwarves IN SPACE!” approach). Anyway, you may get to hear more of the squar combine before long, as this model actually doubles as a test model for a squat warband project that may or may not happen at some point in the future — don’t hold your breath, though…

The last member for Inquisitor Alvar’s retinue is this charming lady here: Shiv Korlund, former hive ganger:

This model has been attached to the project for quite a while, and she’s basically just an unconverted OOP metal Necromunda Escher ganger from back in the late 90s. Painting her should be fun, though…

Talking about painting, having built the two models’ bases, I’ll actually be taking these along to my next scheduled painting session at Annie’s place later this week:

Maybe I’ll be able to show you the finished models before long. I’ll be giving it my best shot…

III. Surprise supply drop!

Oh, and one more thing before I tune out for today, as this was such a lovely surprise:

I backed MOMiniaturas’ “Mercenaries” Kickstarter earlier this year, mostly because his wonderful, retro-Warhammer-styled mercenaries really scratched my HeroQuest itch when I looked at them:

In addition to the twenty-ish mercenary models that were part of the actual Kickstarter, however, I also used the opportunity to pick up a bunch of additional fantasy models at a discount from MOMiniaturas, then forgot all about it, and was pleasantly surprised when a massive pile of miniatures arrived on my doorstep last month:

I expect we’ll be taking a closer look at these in a future post — it’s anyone’s guess when I’ll actually have the time to paint any of these, but they have such a lovely retro appeal that I’ll try my darnedest to sneak in one or two of them before the year ends…

So yeah, that’s it from me for today. TLDR; I am still here, chipping away at my various projects. Is anybody alive in here? If so, I would, of course, love to hear your thoughts!

And, as always, thanks for looking and stay tuned for more!

With Christmas fast approaching, I at least want to make time for another update in between all of the daily chaos, even if there’s nothing spectacular to show you right now. Which means you’ll have to content yourselves with some rough sketches and conversion shenanigans. And with some bald heads — and no, I am not referring to myself with that last point. Anyway, what is this about?

I. Delaque Deliberations

A while ago, I picked up a box of the new Necromunda Delaque gangers, to be primarily used as conversion fodder for INQ28 related projects.

I would argue that the Delaque are probably the best re-design in modern Necromunda, mostly because with their older incarnation, there was such a vast gulf between the rather cool concept for the gang and the very lacklustre miniatures. But even beyond Necromunda proper, these guys really seemed like an invaluable source for conversion material from the get go:

You see, the world of shadowy inquisitorial dealings has great need for suitably shadowy, robed figures, yet outside of the trusty Empire flagellants, proper robed figures have been in short supply across GW’s catalogue — and there’s also the fact that the flagellants have such a ragged and frayed-around-the-edges look that they just don’t work for every project. The new Delaques seem like the perfect fix for that issue. So I already had a couple of plans going into this latest kitbashing session, and I would love to share some of my results with you:

The first thing I had wanted to do for a while was to use one of the Delaque gangers to convert a Tech-Priest. In fact, I even took the time to quickly sketch out one of my ideas during an idle half hour at the doctor’s office:

Granted, the proportions are completely dodgy — good thing, then, that the resulting model ended up looking much cooler:

Official GW Tech-Priests are all twisted and insectile these days — which I love, make no mistake! But I like a little variety in my collection, so I thought a tall, upright tech-priest with an air of haughty arrogance might work well. Plus I think Tech-Priests should really be all shapes and sizes, so they look even more crazy when assembled as a collection — it takes all sortss to make a (Forge-)world, so to speak

As you can see, it’s a fairly simple kitbash that mostly consists of adding some AdMech bitz to one of the Delaque gangers — I think the pose really sells the model, though, while the tech-y gubbinz give him just the right silhouette (and amount of clutter) for a Tech-Priest.

One thing that gave me pause for a bit was the model’s left hand: I did have several Sicaran Ruststalker/Infiltrator hands holding guns that would have worked, but that just seemed like the wrong way to go with the character. I used some kind of auspex/scanner in my character sketch above, directly inspired by the auspex array that comes with the Skitarii Vanguard/Rangers — but when the time came to put the model together, that just seemed a bit too pedestrian, too.

It felt like an open hand (preferredly with some calipered fingers) would work best for the model, so I whipped something up:

The hand was spliced together from a Sicarian Ruststalker thumb and the creepy fingers of the surgical servitor that’s part of the 40k battlefield objectives. I am really happy with the finished model and think it should make for a pretty cool addition to my collection of AdMech models!

Looking at the stooped pose of another Delaque ganger gave me the idea for putting together an Imperial Scribe /Inquisitorial Savant type character:

Now the model still needed a fair bit of work at this point, but the outline was already there: With hands unrolling a bandage (from the Cadian Command squad) repurposed as hands carrying some kind of scroll and his pose, the guy already seemed like the kind of figure you would regularly see in the back row of illustrations depicting the Inquisition, or in the corners of 40k Codex books in the olden days, so I knew I was on to something.

The most important addition here was some kind of augmetic cowl (similar to the designs you see on some of the Forgeworld AdMech models) with some cables and head implants feeding into it (as well as some cables dangling from it). This element breaks up the characteristic Delaque silhouette a bit and also hints at the kind of augmetics a scribe would need for their work in the 41st millennium.

At the same time, I also included a leather document satchel and an additional scroll – complete with skull, of course – so as not to make him look too hi-tech and bring him back into the gothic madness that is 40k. The satchel is an older WFB plastic part (from the Dwarf Miners, I believe), while the skull and scroll bit came from the Empire Flagellants — no surprise there!

This model turned into such a sweet surprise, because the idea really took ages to get off the ground, but after the basic mockup was finished, I had such fun tweaking the model! I am still thinking about adding a lantern and another bit or two of gear, and then the scribe/savant will be ready to explore some sunken Imperial archives — after getting painted, of course

II. Thorn Wishes Talon

But wait, I have yet more bald heads to share with you! Because I have treated myself to a small, premature Christmas present:

The original 54mm Inquisitor Eisenhorn: I have wanted to own this model for a long time, yet was never smart enough to pick it up while it was still freely available. Now the model you see above is missing some bits and bobs, but I did get it for a pretty good price, and I am confident I’ll be able to sort most of it out with the leftover INQ54 bits I already have. In fact, Eisenhorn should make a swell companion for my salvaged Delphan Gruss/Nagash mashup from back in January:

It also really is a lovely sculpt, even after all these years!

III. Painting some stuff — only differently this time

And there’s one last look at some ongoing stuff for you: I’ve been slowly trying to get back into drawing of late, and finally getting the chance to pick up the classic Eisenhorn model was enough to inspire me to make a small attempt at digitally drawing ,y version of a piece of art from the Inquisitor rulebook:

It’s a pretty clunky piece with all kinds of problems, admittedly, but I am really still finding my feet here. Here’s a quick coloured sketch of my Ordo Scriptorum Inquisitor, Tiberias Orlant,  to round things out:

It’s like using a muscle that hasn’t been exercised for years — because that’s precisely what’s happening. I haven’t been drawing for ages. But then again, I had all but given up hope for ever returning to it, so this is actually pretty cool. This whole digital art thing is definitely something I can see myself picking up next year — also, be glad I didn’t show you the slightly tacky “Joy of Painting”-inspired landscapes I’ve been painting on the side

So yeah, that’s no less than four bald heads and lots of shadowy, shady stuff for you! I would, of course, love to hear any thoughts you might have! I’ll be back with a – slightly – heartwarming Christmas tale early next week, to get you all in the mood for the festivities Until then, please let me hear your comments and, as always, thanks for looking and stay tuned for more!

Hey everyone, I am currently suffering from a bit of Writer’s Block when it comes to completing the second part of my Eternal Hunt Awards, so in order to try and break through that – or, if nothing else, at least finally post some new content over here – I would like to show you what I am currently working on:

As some of you will still remember, the last model I painted in 2019 was…a World Eater:

And it didn’t take long for me to return to the XII legion in the new year (wile I have also been on fire regarding a few INQ28 characters, that’s a story for another time…). So, what do I have to show for myself?

First up, I have been messing around with some of the conversions for my “Hateful Eight” World Eaters Killteam project, making some additional tweaks to the models and giving them that extra bit of quality control.

Take, for instance, this World Eaters Havoc I built last fall:

While taking a closer look at the model, I realised that the missile launcher arm came with an Eye of Horus design on the pauldron, and while that certainly isn’t a big deal, it did bother me a bit — it felt slightly too “Black Legion” for a member of the World Eaters. But I had an idea: why not turn it into a World Eaters legion badge? Thanks to the GW plastic skull kit, it was easy enough to carefully shave off some jaws and use them to transform the emblem on the pauldron into a World Eaters symbol:

I’ll admit it’s not easy to make out, but it should look suitably different to the original design once painted. It’s also a very easy recipe to create World Eaters symbols that I wish I had thought of earlier…

On the same model, I am also currently experimenting with adding a chaos knight pauldron as some kind of armoured cowl, and I do like the way it looks:

I am still messing around with different variants of doing this, but I do think the addition of some kind of cowl actually makes the model resemble the artwork it was based on even more closely:

There was also thus guy here, built at the same time as the Havoc:

I still think this is a rather intriguing conversion: I wanted a model looking massive and archaic, its armour looking like an ancient, heavily customised set of Mk. III armour — hence the legs and helmet. A few things kept bothering me about the model, however — it always looked ever so slightly dodgy from up close. So I tweaked the model a bit:

Now this one is a tough case because people on the forums keep telling me the older version actually seems more balanced to them, but I am simply much happier with the new version: In my opinion, the bladed crest on the Marine’s left pauldron was so massive as to unbalance the model’s silhouette a bit, so it was replaced with smaller spikes (I did keep the part for later use, though). The backpack also didn’t result in the silhouette I wanted, so I went back to a classic CSM backpack. The biggest change, however, is that the axe was replaced with a meteor hammer, one of the World Eaters’ more gladiatorial weapon choices. I have been looking for a way to include one of these in the project for a while, and here it is.

It wasn’t all kitbashing, though, I also managed to get something painted: My first painted model of 2020, and also a World Eater. This gentleman here:

Yet another alumnus of the same kitbashing session as the other two, this model was originally built to resemble a clasic piece of artwork courtesy of Mark Gibbons:

The illustration was originally featured in the second edition Codex Imperialis and accompanied by a quote of one Kargos Bloodspitter (of Horus Heresy fame). Anyway, I didn’t want my model to actually represent Kargos as a character, but I did want to channel the artwork as much as possible (incidentally, fellow hobbyist Mr. Poom actually created a brilliant 30k version of Kargos Bloodspitter, based on the very same piece of artwork, a couple of years ago).

Anyway, seeing how the conversion was already in my case, all that remained was to get some paint on the model:

I unfortunately painted the model before Mark Butcher asked for a tutorial in a recent comment, so that will have to wait until a future post. For now, suffice it to say that I employed my updated World Eaters recipe again.

The model’s base provided an interesting challenge, because, while I did not want to perfectly replicate the “standing on a field of skulls” look from the artwork (as that seems a bit too 1995, even for my tastes, plus it wouldn’t match the basing on the rest of the group), I did want to give it a bit of a shout out, so I came up with a bit of a compromise:

A veritable pile of skulls, but still “fenced in” by some rocky parts.

And here’s the base, mostly painted:

And with that, the model was finished:

“Though the gates that stand between the mortal world and the immortal Realm of Chaos are now closed to me, still I would rather die having glimpsed eternity than never to have stirred from the cold furrow of mortal life. I embrace death without regret as I have embraced life without fear.”

Once again, here’s the artwork that inspired it all:

Moody glamour shots aside, here’s a proper look at the finished model in more detail:

I am actually really happy with the finished model, both because I think it has come out fairly well, but also because this has been a great occasion to include another tribute to a classic piece of Warhammer 40k art in my collection!

Oh, and before I forget: Thanks must also go to my fellow hobbyist ElDuderino: The converted Blood Warrior helmet he sent me as part of a pretty sweet bitz drop last year is what really sells the conversion, if you ask me. I shall be naming the model “Brother Orska” in his honour!

And here, just to round things out, are all the little rascals I have so far:

So that’s it for today — seems like a pretty good hobby start into the new year, though, if I do say so myself! It goes without saying that I would of course love to hear your thoughts on the model, so please feel free to leave me a comment!

And, as always, thanks for looking and stay tuned for more!

Hey everyone, it’s already mid-February, and the fact that I still haven’t managed to complete the second part of my Eternal Hunt Awards writeup for 2019 has basically become a millstone around my neck that actually prevents me from posting any update at all, and we cannot have that, so here’s what we’ll do:

For today, I would just love to share some of the stuff I have been working on lately with you, seeing how I keep making progress with my little World Eaters kill team project.

As for my various favourite blogs and recommendations, I will commit to turning those into a rather more forward-looking post of its own in the near future — scout’s honour! For those of you who are looking for an excellent look back at the projects of 2019 and want their fix *right now*, feel free to peruse the following, excellent articles courtesy of the Brothers Wier and Wudugast, respectively.

To those of you who had been looking forward to my post, I can only apologise — and promise you that something not quite unlike it will be along sooner rather than later. For now, however, in the interest of keeping this blog going, I’ll just have to go with sharing some stuff I am actually motivated to work on right now. I hope you guys understand!

So, anyway, with that out of the way, where were we? Oh, right, I remember: In my last World Eaters related update, I already showed you this guy who is part of my “Hateful Eight” World Eaters project:

I could really kick myself for forgetting, once again, to take step-by-step pictures while I painted him — I guess the model would have made for a pretty cool tutorial. Oh well, next time, I guess…

Anyway, this is what the model looked like with most of the paintjob already in place:

As you can see, I decided to add some glossy blood to the meteor hammer — because it just seemed really, really appropriate in this particular case. In fact, I tried to take this even further with my idea for the rest of the base:

It was always clear that I would want to add some kind of “special effect” to the base. A trail of blood, as the World Eater drags his bloodied weapon behind him, seemed like an obvious idea. But I wanted something even more gruesome:

The idea was to make it look as though the World Eater had just crushed some unfortunate opponent’s skull, so I went the extra mile and included some bone shards

Here’s the finished model:

While the pose remains ever so slightly hokey, on account of the base model I used for the conversion, I am still pretty happy with this chap. The two things I wanted to achieve with him — having a model wearing a massive, ancient suit of armour that also has a bit of a gladiatorial flair, have definitely worked out: In spite of all the quasi-medieval stylings of the armour, you could still imagine a suit of ancient Mk. III Iron Armour as the starting point underneath it all.

And here’s a closer look at the base again, now with the meteor hammer in place, obviously:

And once again, in order to round out my progress report, here’s an updated group picture of the new World Eaters models I have managed to finish so far:

Regarding the general progress of this progress, I’ll admit that these models seem like a bit of an evolutionary step for me in that, after all these years of building and painting World Eaters, I have now arrived at the point where the models actually end up looking very close to the way I’ve always wanted them to be: massive, baroque, highly individual and very sinister. Are they perfect? No, certainly not — there’s still a lot of room for improvement. But it’s not hyperbole to say that these are the closest I have yet come to realising my personal vision of what the warriors of the 4th assault company should look like.

At the same time, however, it’s becoming painfully obvious that I’ll be ending up with more than eight models, mostly because I just cannot stop building stuff. Case in point, here are the next guys in line for the painting desk:

Granted, some (okay, alright: two) of these are older conversions. But I just keep adding to them. For today, I would like to point out two models in particular.

The first model was born from the desire to do something, anything, with that very weird, two-handed Bat’leth-style weapon that comes with the AoS Blood Warriors:

So I shaved off the secondary blade, and used some Blood Warrior, CSM and Mk. III Marine parts to make this:

As you can see, it’s yet another conversion that combines most of the parts from a stock Blood Warrior with Mk. III greaves, although I would argue that the graft is a much smoother one this time around. I also think the somewhat more medieval Blood Warriors armour, when used in moderation, creates a cool, somewhat gladiatorial look that really suits 40k World Eaters and moves the models beyond simply looking like vanilla CSM with bunny eared helmets. It was also cool to be able to re-use the backpack I had originally spliced together for the guy with the meteor hammer!

I am really stupidly happy with the guy, to be honest — he definitely has some presence, wouldn’t you agree?

Seeing how I have a prospective painting session at Annie’s place scheduled for later this week, and maybe I should just allow this guy to jump the queue

The second model I want to focus on was converted just the other day when I realised the squad/kill team still needed some kind of icon bearer — I am a bit of a traditionalist in that respect: Every squad of traitor Astartes needs an icon bearer, and those new-fangled, backpack-mounted icons just don’t cut it for me.

On the other hand, the idea of a World Eater lugging around a massive standard always seems a bit iffy. However, there was one model I have always loved for just striking the right balance in this respect: the metal World Eaters icon bearer from the mid-90s.

And seeing how one side objective of this particular project has been to give shout outs to classic models or artwork, I couldn’t resist the temptation to just rebuild that particular model for the new millennium. Take a look:

I’ve had to flip the model horizontally for logistical reasons, but apart from that, the new guy is a fairly involved attempt at a proper re-interpretation of the classic sculpt. I didn’t have one of those old banner tops, unfortunately, so I used what felt like the next-best thing: a Wrathmonger/Skullreaper standard that seems like it could be used as a weapon in its own right with its many vicious barbs and bladed edges.

Here’s a comparison with the classic model and my new interpretation of the sculpt, side by side:

So as you can see, in spite of everything, I am at least reasonably successful at coming up with new members of the 4th assault company. And I would, of course, like to hear your thoughts on my progress, so please leave a comment!

And, as always, thanks for looking and stay tuned for more!

What a time to be alive!

What is it with the world lately? Racism and right-wing populism on the rise again, factionalism and nationalism at an all-time high, and now Nurgle’s Rot as an actual real-world-thing…? The mind boggles…

Against this background, spending time on this hobby of ours can seem almost frivolous — and yet, amongst its many rather more frigthening features, the novel Coronavirus weirdly enough provides many of us with ample extra hobby time. What a weird feeling of disonnance…

Then again, I have often found that turning to the hobby as a release can actually keep you sane, and I hope it will do that this time as well. With one marked difference: In years before, it seemed that our lives – at least in the first world – were so rich and peaceful that we could afford to turn to a fictional universe full of hardship and murder as a hobby — and surely, that’s ultimately a good thing, right? These days, however, what does it say about the world that turning to the very same, grimdark galaxy for distraction seems like entering a happy place?

Meanwhile, this blog’s eighth anniversary has quietly passed me by back in late February — yeah, Eternal Hunt is actually eight years old now:

And I don’t even have anything special prepared for the occasion — not a surprise, really, all things considered. All I can offer you are some new World Eaters — but then that seems all to fitting, when this blog was originally started, allll the way back in 2012, to showcase my World Eaters army – Khorne’s Eternal Hunt – taking shape. And here we are, back where we started. If nothing else, there’s a nice sense of symmetry about it all…

So let’s actually turn our minds from the dark thoughts of everyday life to the – grimdark – thoughts of the 41st millennium where, in spite of all the murder and bloodshed, at least things still make sense

For starters, we have this gentleman from my previous post:

Feeling enormously fond of the conversion, it was clear to me that I would want to paint him next. As an aside, I even remembered to take pictures of the different painting steps this time around, which I’ll be using for a step-by-step in a future post (I just don’t want to overclutter today’s update, what with the anniversary and all).

Anyway, I was able to get the model to an almost finished state relatively quickly:

After this, it was, once again, mostly a question of adding some finishing touches (and, of course, some blood…) and creating a base.

So here’s the finished axeman:

In a definite case of subverted expectations, this is probably the one model in the squad whose base actually *doesn’t* feature a skull. You can still see his last opponent’s breastplate, though (that head probably flew quite a ways when it was lopped off…):

Oh, and in case anyone was wondering, here’s a scale comparison shot for the model:

The closest thing to a standard Cadian I had was my older conversion for Inquisitor Antrecht, but he’s mostly based on Cadian parts, so it should work. I think the model’s size – while not really true scale – works well enough in setting it apart from a regular human. In addition to its size, the proportions are also pretty sound — for instance. the model features an actual abdomen, something that is often missing on standard-scaled Space Marines

It has been pointed out to me that, with its two handed axe, the model would actually work as a Master of Executions. And while it wasn’t originally planned as such, I agree that it could definitely fulfill that role! [As an aside, I’ll have you know that my World Eaters actually had a headsman-type character before that was even a thing, so yeah…]

Anyway, I am actually really happy with the way this model has turned out! Here’s the squad so far:

And if I count my counts-as Huron, those are actually eight finished models, perfectly in keeping with the festivities! Yay!

The forced downtime has also given me the opportunity to mess around with some additional models, so let’s take a look at those as well:

There’s my converted icon bearer (also from my previous post), for one. The one that was supposed to channel the look and feel of an older metal icon bearer:

One of my favourite parts about the old model were always the cables and tubes visible underneath the shoulder pad: I loved how those hinted at the inner workings of the armour. While messing around with Greenstuffworld’s excellent tentacle/cable maker (borrowed from my friend Annie), I took a moment to recreate that element on my modern interpretation of the character:

I have also decided to turn the pistol arm downwards, because the composition seems to work a bit better that way. This, in turn, also lead to my replacing the bolt pistol for a different version, because the ammo feed on the previous weapon no longer behaved in tune with gravity

Oh, and there is one more WIP I would like to share with you today: Any ideas what this is supposed to be…?

…

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Seeing how my latest World Eaters project is also about creating models that are inspired by seminal artwork or classic sculpts, I have been thinking about a model to represent Lheorvine Ukris, from Aaron Dembski-Bowden’s Black Legion novel series, for a while — another model, that is, seeing how I already built a first version a while ago:

“Guest stars” like this are always a bit of an iffy affair, because they don’t really fit into the narrative for a homegrown warband. But I couldn’t help myself, I had to use the excellent new kits to build another version of Lheorvine. So here’s the artwork I used as my main reference, once again:

And here’s the conversion I came up with:

With the exception of the Primaris breastplate (used for the “Imperialis” symbol) and a head from the AoS first edition starter box Blood Warriors (I simply *love* those helmets!), the conversion is mostly based on parts from the new vanilla CSM (with maybe a Havoc bit added in here and there). With the basic conversion out of the way, I then tried to cram in as many elements from the artwork as I could while also not wanting to make the model seem overly busy. Anyway, here’s the finished conversion:

The latest additions include that additional skull above the gun barrel as well as the various pieces of chain dangling from Lheor’s armour. I did consider adding some more spikes to the helmet crest, but ultimately decided against it: That helmet seems ostentatious enough as is.

So yeah, if nothing else, I have been keeping myself busy, as you can see — in fact, you should see some of the stuff I have been building for INQ28. Alas, that is a story for a future update!

For now, while this hasn’t been your standard anniversary post, I do hope you’ve still enjoyed the look at some of my current projects, in spite of everything awful going on in the world.

To any and all readers, commenters and my friends throughout the blogosphere: Thank you for reading, commenting, sending bitz or models and for being a vital part of my Eternal Hunt! Please stick around, and please feel free to share any thoughts you might have!

And please, please stay safe and healthy, and look out for those close to you! Khorne demands it — I’m sure of it

As always, thanks for looking and stay tuned for more!

For all the sad and awful things that are currently going on in the world, I have found the Corona-mandated downtime as strangely conductive to my creativity when it comes to kitbashing and converting, in spite of everything. So today, I have a monster of a post to share with you, with quite a few new INQ28 conversions that I am pretty proud of. I you would step this way, please…;)

Let’s begin with the model that seems to have kicked things off: Earlier this year, the Brothers Wier (of “Between the Bolter And Me” fame kicked a challenge with the subject of using the new AoS Ossiarch Bonereaper models to create some creepy, rather more skeletal Eldar to channel the somewhat gigeresque origins of the Eldar race during the Rogue Trader days of yore:

Illustration by Tony Hough

What’s more, the brothers were also awesome enough to send me one of the models from the Mortek Guard kit to use for the challenge.

But in spite of that generosity, it still took me quite a while to get started on my contribution…

One reason for this, on top of my usual laziness, was that the bar was immediately set incredibly high, for instance by this this very cool and creepy Eldar model built by Adam Wier himself…

Model converted by Adam Wier

or by Larsonic Miniatures’ absolutely incredible Haemonculus.

But seeing how the Coronavirus-downtime had at least provided me with some extra hobby time, I felt that I might just as well finally try to get this show on the road. I still had some leftover Yvraine parts, back from when I first converted the Countess Mandelholtz, and definitely wanted to put them to good use, along with some Dark Eldar knick knacks I still had in my bitzbox.

Even so, the first half of the conversion process was an exercise in frustration, with things just refusing to come together — except for my own fingers, that is, because I certainly managed to glue them together more than once. The model itself didn’t really seem to work, though: For instance, I all but ruined Yvraine’s head in an attempt to go for a really creepy, biomechanical look (think the Alien from the first Species film, minus the gratuitous nudity).

But I soldiered through, and it was actually late at night when I finally felt that I might be on to something:

I think getting the legs and torso to line up properly was what ultimately sealed the deal — after that, it was mostly a question of going with what felt right. And before long, I had this model:

And believe it or not, most of what you see is actually the Mortek Guard model the Wier Brothers originally sent me. I merely spliced in a few Eldar parts from various sources:

• Yvraine’s feet and hairpiece
• a Dark Eldar helmet (chosen for its stylised, statuesque features) and one-and-a-half Dark Eldar arms
• an old (late-90s) Dark Eldar Kabalite warrior’s abdomen (yes, really )
• a severed elven/Aeldarii head (I think it originally came from a Wood Elf, although I am not sure)

I even ended up with a couple of spare Bonereaper bitz to squirrel away for future projects — YAY!

Anyway, the conversion was still rather messy at this point, and needed a few tweaks and some cleanup. Here’s what the finished conversion looks like:

I am actually really happy with this guy (?) at the moment, but that’s probably because the project seemed like such a trainwreck before it finally all started to come together.

There’s zero background in place for the model, but I do like how ambiguous it seems: Is it some new kind of Exarch? A wraithbone construct? Some sinister kind of Drukhari warrior? Or a pre-fall revenant? Fellow hobbyist BeardGoblin even pointed out that the model resembles an Avatar of Khaine — in fact, it could even work as an Epic-/Adeptus Titanicus-scaled Avatar, minus the severed head.

In any case, I think I’ve come up with a working contribution for the challenge — speaking of which, though, you should definitely check out all of the other excellent contributions: Go read up on them over here, at “Between the Bolter and Me” — and many thanks again to the Wier Brothers for sending over that model and for allowing me to be a part of this event!

Getting this particular conversion to work also felt like the floodgates had been opened, in a sense, and I emerged from this project quite motivated and with an appetite for something a little more …adventurous. So what happened next?

A couple of years ago, I was lucky enough to be able to snap up the female vampires from the WFB/AoS Coven Throne. If you ask me, those are some of GW’s coolest models (and still some of their best female sculpts), and I have cannibalised them for several projects over the years (to build, just to name the most important examples, Mistress Elisha Gorgo, Countess Mandelholtz, Redactor Orlant’s masked bodyguard and the pilot for my second Knight Armiger). This all left me with – most – of the body of the main vampiress (only missing her head and parts of her arms) as well as the cushions that normally go behind her on the Coven Throne. And whenever I came upon those parts while burrowing through my bitzbox, I would always have this vague idea to one day turn her into a cool, very Blanchesque figure in a floating comfy chair.

Well, desperate times call for desperate measure, so I decided that it was finally time to go for it:

When I started this conversion, I did not yet know whether I wanted her to be an eccentric noble or a crime lord (or both) or some kind of conspirator — for starters, it was just fun to delve into the Blanchitsu look to create her. The model was missing its head, and I decided to actually turn that into a virtue, using a creepy resin skull (sent to me by my buddy Biohazard a couple of years ago) and some GS cables to give her a suitably grimdark mask. An eyelens from a set of Cadian binoculars was used to add an augmetic eye piece to the mask.

The cushion bit was far to nice to discard, and I loved the idea of having her float on some kind of antigrav chair. So I created a suitably impressive throne for her:

As you can see, I added another cushion (made from GS) to elevate her to the right height and make for a smooth fit. I then used what I believe are mostly Sentinel bitz to tech-up her chair a bit (with some Chimera flamers repurposed as antigrav suspensors).

Here’s the grimdark mamzel, with her chair suitably built up:

This only really left me with one area to deal with: Her feet. Ideally, there would have been some kind of footrest for her, but when I tried to cobble something together, I realised that an element like that would obscure most of the lower front of the chair, defeating the exercise of having a floating chair to begin with.

In the end, the solution was rather simple: As I still had the flowing skirts from the other two vampires, I simply shaved down one of them to fit the mamzel. So here’s the finished conversion:

I also have a slightly firmer idea about her background now: I’ll be calling her “Lady Bloodbriar”, and she’s the head of a crime/underworld syndicate of the same name that has become very powerful indeed behind the scenes of the Velsen Sector. Her real identity remains a secret, and she prefers to keep it that way — although, I actually do have a pretty good idea who she really is, underneath the mask. That’ll be a story for a different time, though…

Still feeling very happy with the conversion, I took a long hard look at it and decided that what Lady Bloodbriar really needed was…a pudgy little cherub whose funtion was basically that of an ambulatory fan:

Now the idea of using Nurglings to create cherubim wasn’t mine — it’s a clever approach I first saw on Jeff Vader’s Convertorum. It did serve me really well here, though! The little skull face was actually designed to match Lady Bloodbriar’s mask. Oh, and I added some tiny augmetic plugs to the Nurgling’s body here and there, to hint at the fact that this is an automaton of some sophistication!

And yes, I am quite aware of the fact that actual cherubim models are now freely available as part of the new Sisters of Battle kits — but the plan here was to focus on only using parts from the old bitzbox. And that was even before GW stopped taking any orders, too!

Anyway, my original plan was to actually have him on the chair as well (on one of the cushions behind her), but I am pretty sure that this would have overcluttered the model — plus I do rather like the idea of the little guy hurrying behind the floating throne, trying his best to keep up..

And seeing how I had basically lost my marbles at this point, I couldn’t help thinking about yet another cherub for her, loosely inspired by a detail appearing in a piece of John Blanche artwork from the second edition 40k rulebook:

Illustration by John Blanche

In it, a cherub is wearing the cutest little pseudo-napoleonic uniform:

And seeing how I still had a head wearing a bicorn (sent to me by fellow hobbyist Drone21c, if I remember correctly), I knew I just had to try and channel that effect:

He is carrying a little hourglass, as if to say: “This is all the time you get to plead your case with the mistress…”

The little guy with the hat will be named “Nullsum” (thanks to a brilliant suggestion from fellow hobbyist A_Tempest_Sinister), and his buddy will be called “Aerial” (in an attempt at a similar pun ).

Also, I think I’ll be giving Nullsum a little sword:

It just makes for an even more “heraldic” look, for lack of a better word…

So I had the Lady Bloodbriar herself, and her two cherubim — but that wasn’t nearly enough, and I was basically neck-deep into this project at this point, when I came upon an incredible blog post at Meandering Shade that made me realise that there’s something really interesting you can also do with a cable maker — quite an eye opener! So I simply had to build a majordomo for Lady Bloodbriar. Meet Master Corvinus Icter:

As you can see, he is currently occupied with contemplating the contents of a dataslate while his mistress talks to a supplicant, and probably interjecting pointed questions and remarks (“What were your credentials again?” “These numbers don’t seem to add up…”)

The conversion itself mostly consists of bitz from the WFB Empire Greatswords /AoS Freeguild Greatswords, with just a shaved-down Skitarii coat as well as a Delaque head and dataslate spliced in for flavour — and there’s that glorious hairdo, of course, basically created by cutting apart a GS cable and carefully applying its parts to a substructure also made from GS. It’s unbelievable how easy this was — although it might still need a bit of cleanup here and there.

I have one more conversion for you for today’s update — because a powerful mover and schemer like Lady Bloodbriar obviously also needs some muscle to serve as a personal bodyguard. After giving it a bit of thought, I dismissed the idea of including some kind of heavily muscled ganger, but rather went for a bit of a “palace guard”-style character, and with a highly stylised and idealised look, to match the amount of ostentation evident in the rest of the models. Now the Custodes and Stormcast Eternals basically have the market for statuesque, hulking warriors cornered between them, so I had to get a bit creative to come up with something that didn’t look too similar to them, while also invoking some visual cues from either — after all, it seems obvious that, in-universe, both the Custodes and Astartes would be revered as some kind of godlike ideal by citizens of the Imperium, and that the most influential among them would pattern their own household guards after those legendary warriors to some degree.

Anyway, here’s WIP for “the Sentinel”:

This conversion was all about creating a massive, statuesque and idealised warrior that wasn’t to look like a Space Marine. I tried to achieve this by using some slightly unconventional bitz — the base model was a Blood Warrior of Khorne, for instance. I am also rather happy with the spliced-together facemask and with the use of a Kharadron Overlords spear as a pretty exotic looking weapon.

Of course the Sentinel didn’t escape a round of tweaks, either

I added a shield because I wanted to support the statuesque look even more — plus it also seemed like a fitting choice for a guard. The grisly skull trophy was exchanged for something a little more fitting (I use the winged sword device as a symbol for St. Sabasto, the “Sword Saint”, even though it’s originally a DA symbol, obviously

So here’s the group, pretty much as it stands right now:

I am really having a blast with this project — in fact, to be quite honest with you, I had feared that I might have “lost my touch”, so to speak, since the level of quality all around seems to have soared, while some of the stuff I have been working on just felt trite and derivative. But with these latest models (and some of my latest World Eaters), I think I am in a pretty good place once again. I am not saying that none of this has been done before – and, indeed, I have been taking inspiration from fellow hobbyists like Jeff Vader, EdT and others left and right – but these latest models do feel like a – much-needed – breath of fresh air to me!

Oh, and I have even sketched out some inconography for Lady Bloodbriar’s crime syndicate (“The Bloodbriar Syndicate”? or “Cabal”? Or “Cartel?” Does anybody know any more cool, 40k-like words for a crime ring?):

I like the idea that most members of the organisation wear this kind of symbol — or a variation thereof: It could appear as tiny, inconspicuous tattoos or brands on the upper echelons of the organisation, whereas low level brutes would be covered in briar tattoos.

Anyway, if anyone’s still reading: That’s it for today’s update. I would, of course, love to hear any thoughts and suggestions you might have!

As always, thanks for looking and stay tuned for more — and please stay safe and healthy during these challenging times!

Hey everyone, it’s time for another update — and yet, I’ve had virtually no hobby time, for reasons that shall become obvious further down in this post.

It’s a good thing, then, that I still have enough bits and bobs from my desktop to share with you, even if I’ve been sitting on some of this stuff for a while now — what better way to clean house, as it were, eh? So let’s take a look:

I’ll start with a small update on one of the projects from my previous post: Remember the beginnings of my Bloodbriar Cartel?

Looking at the models, I realised that I wanted another bodyguard for the retinue. Now building another sentinel would have been quite tempting, especially on the account of this awesome idea of fellow hobbyist euansmith:

The entire gaggle are looking sumptuous. Looking at the Guard with the shield, I was struck by the idea that, if you make a second one that was Left Handed, they could stand behind important people, with their two shields forming a pair of wings to make their VIP look even more important. The mask on the guard is really cool.

But then I quickly realised that my heavy case of hobby butterfly syndrome probably wouldn’t allow me to build – much less paint – another identical model. Plus I also felt that the bulky Sentinel should be balanced out by a very different, slim and lithe bodyguard. So I came up with this kitbash:

Maddeningly enough, the differently coloured plastic on the upper half of the head makes the whole thing look like a bad Photoshop job in those pictures — you’ll have to take my word that the whole head assembly works better in real life. But I didn’t want to “cheat” by showing a grayscale picture, electing to rather show you the initial kitbash, warts and all.

I also have to admit that I am not quite happy with the second bodyguard yet, and there are definitely quite a few kinks to deal with: To name just one issue, maybe that Bonereaper sword is too massive, but then again, I think I’ll be keeping it because I like the idea of an “exotic” weapon like that without any clear chaos or xenos influences — it looks like the kind of weapon you would see in a powerful crime syndicate (plus all the other swords in my collection are just as big).

One thing I think already works pretty well is the pose: I wanted the bodyguard to look self-assured and at rest, so I really had to go to town on those jumpy Wych legs. The slowly advancing stance looks like that of a ballet dancer, though, which is just what I wanted.

Next, more or less à propos of nowhere, came a conversion that felt like I simply had to get it out of my system. A bounty hunter, possibly with a bit of a Xenos influence:

The were several design influences at play here: The image of Japanese Ronin (very obviously), Princess Leia’s bounty hunter disguise in Return of the Jedi, as well as character designs you would see in Franco-Belgian graphic novels, such as “Valérien”. Plus the original idea was also lifted from a model I saw on Reddit

The conversion itself was a pretty straightforward one, mostly based on a Necromunda Delaque:

• indeed, the body, right arm and gun on the back are all from the new Necromunda Delaques
• the left arm is from the Dark Eldar Kabalite Warriors (or Wyches)
• the sword came from the AdMech Sicarian Ruststalkers
• the head, hat and shoulder pad are all leftover Tau…erm “T’au” bitz from my bitzbox: The hat is either from the gun drones or from the Krisis suits – I’d say Krisis suits, though, as the discs that made up the drone bodies are even bigger in diameter. The shoulder pad is from the XV25 Stealth Suits, if I am not mistaken. And the head is just some small sensor array bit (probably from the Krisis suits as well, but I really don’t know) with a couple of extra gubbinz (including a new eye lens) added on to bulk it out just a little and make it look more tech-y. I just wanted a head that seemed very un-imperial and also not at all like a classic facemask.

Here’s another look at the model now with an extra grenade on the model’s belt (for improved visual balance):

Possibly my favourite part of this conversion is that it seems to turn the somewhat awkward pose of this particular Delaque body into an actual strenght: If you ask me, the model really does look like some kind of itinerant Dark SciFi Samurai leisurely strolling through the underhive

In fact, this latest model seems like the perfect opportunity to also share another Delaque-based conversion that I have been sitting on for a while: A mysterious figure, inspired by a yet another conversion I saw online (on Pinterest, I think?!)

This conversion is even more straightforward, simply swapping in a blank Dark Eldar helmet and relying on Delaque bitz otherwise. When I saw this idea, I instantly loved it! It creates such a mysterious, sinister look! Just what I needed for a character codenamed “The Architect”, a mysterious agent of the Neo-Thorian radical splinter-faction known as “The Fragmentarians”, a recurring shadowy power within the Velsen sector…

I wanted the character to look like a secretive player from behind the curtain, so to speak, preferring to be subtle about their influence. Even so, the Architect is not above stepping in and doing some red work, hence the inclusion of the stiletto…

As an added bonus, this model was also the perfect excuse for finally realising a long-standing plan of mine and build a conversion resembling “The Alchemist”, the super-creepy villain of the 2001 film “Vidocq”:

In case you are not familiar with the film, it’s a bit zany and scatterbrained in that special way only French (fantasy) films are, but the production design is really awesome, and the villain is just incredibly creepy — fun fact, back in the day, scenes from the film were used in the music video for a song that appeared on the film’s OST, and I was mesmerised by the Alchemist’s appearance in the video, but didn’t have any idea that those scenes came from an actual film. Years later, I walked by a DVD bargain bin and saw the cover artwork (just the Alchemist’s “face”, as shown above), and basically bought the DVD based on that alone.

It also seems like I am getting quite a bit of mileage out of that Delaque kit, although I have yet to build an actual Delaque…

Next up, a bit of a terrain – or basing – experiment: When my friend Annie recently placed a large order at Greenstuffworld, I took the opportunity to order one of Greenstuffworld’s textured rolling pins (the temple one) that can be used to create rather intricate designs on bases. So I decided to finally give that a try as well.

The tool is actually rolled through fresh GS, as though you were trying to make cookies. It took a couple of tries to get it reasonably right, but here’s the blank base with the freshly created design on top:

Here’s what it looked like with the undercoat in place:
‘

And here’s the finished base:

Regarding the paintjob, it would have been easy enough to pick up some of the details in a different colour (gold, for example), but for my initial attempt, I didn’t want to draw too much attention away from the model that was to be placed on top of that base.Anyway, while there’s still quite a bit of room for improvement, I’d say it’s a solid first attempt.

My main reason for going with this design in the first place was that I was looking for a less underhive-y look — instead I wanted something to suggest the courts and halls of power, so to speak, of the Velsen sector. Which is why the first finished base in this style was given to my conversion for Lord Sebastianus Danver Balzepho Vlachen, nephew to the Lord Sector:

Funnily enough, the “temple” design might just as well be called the “INQ28” design — there’s a smattering of quasi-40k-esque symbols present in the design, including a small “28” plaque, for crying out loud

And that’s about it for today’s collection of odds and ends — oh, wait! I have one more thing to share with you all:

You see, the reason why I haven’t managed to get any hobbying done lately is that I have been sinking virtually all of my free time into MediaMolecule’s “Dreams”, basically a game/machinima/3D sculpting/… toolkit for the Playstation 4. I don’t want to gush, especially since I am helplessly in love with the game/program right now, but it’s definitely one of the most remarkable pieces of software I have seen in a long time (fun fact, I bought this and the Final Fantasy VII Remake for the Easter holiday. I have yet to touch the Final Fantasy game…). Plus it’s a blast to play around in!

And I do actually have something hobby related to show for myself, because – in an attempt to get more familiar with Dreams’ 3D sculpting tools – I set out to create a model of Inquisitor Gregor Eisenhorn’s head:

This project is still very much work in progress, but it’s also only my second attempt at digitally sculpting a head in 3D — and without a lick of prior modeling experience, to boot. Anyway, if you’ll excuse me: I think I may have to add a few more tubes and augmetic gubbinz to dear old Gregor’s mug

In any case, I would love to hear any thoughts you might have on my current projects! Please leave a comment!

As always, thanks for looking and stay tuned for more — and please stay safe and healthy during these challenging times!

For today, I would like to delve deeper into something from my previous post, namely my attempt at sculpting a 3D CGI version of Inquisitor Gregor Eisenhorn’s face. I do of course realise that this moves somewhat beyond the usual content featured on this blog, but I hope that some of you, at least, will still find this interesting.

As I have already told you, I am having a blast playing around with Dreams – MediaMolecule’s weird and wonderful game development engine on the PS4 – recently, and I can tell you that I am legitmately – if maybe irrationally – excited about this stuff, mostly because it feels like actually learning some completely new skills.

Anyway, here’s where we left off last time:

A reasonably complete sculpt of an old guy with some metal stuck to his face — hopefully well on his way to being recognisable as the Gregor Eisenhorn we all know and love Before we move on, however, I think I should maybe give you a bit more context. Remember how I said in my last post that this was only my second attempt at 3D/CGI modeling? Well, here’s the first attempt, created a few days before I started on the Eisenhorn project:

To be fair, this first attempt leaned into a rather more cartoony style from the get-go, but it’s still really weird, isn’t it? It was also only marginally improved by adding some hair…

Anyway, I think this should show you how it has been a bit of a steep learning curve for me

While I was reasonably happy with my first attempt for a while, I quickly started feeling unsatisfied with it: The cartoony nature really just seemed like a bit of an excuse for coming up with a fairly hokey sculpt, the longer I thought about it. So I decided that my next project would go for a somewhat more realistic angle.

Why Eisenhorn, though? I think the idea appealed to me for several reasons: The sculpt would be quite a challenge, while also allowing me to explore several different elements (such as creating human features as well as augmetic, metallic implants) at the same time. I also really wanted to do something hobby related in this new medium, to be honest — and I had this half-formed plan of not stopping with the sculpt, but of creating something like a little vignette, a little slice of the 40k universe, so to speak.

Dreams is the first program I have ever used to create something in 3D, so I cannot tell you how it compares to other software. I would venture a guess that its main feature – the fact that everything is basically assembled by building up geometric shapes (mostly … ) and blending them together – is probably the same for most 3D modeling software. That being said, it does have its quirks and idiosyncrasies — such as the fact that you are doing it all holding a controller (and frantically so, in many cases). This sometimes seems to make things a bit harder than they need to be, and yet the challenge created by this also somewhat appeals to the lifelong gamer in me, to be honest

One thing that really takes some getting used to is to get things placed in exactly the right spot — and while I made good use of Dreams’ options for displaying grids and mirroring working steps, the early phase of creating the sculpt was really slow, careful and deliberate going:

As you can see, I carefully built up the features by adding more shapes (mostly spheroids). If you have the blending effect turned up on your various shapes, this actually does feel a bit like actual sculpting, because of the way the piece starts to deform rather organically when you add new shapes. So I slowly worked my way towards something resembling an actual face:

“Digging out” the eye sockets was really a crucial moment, and I let out a really, really deep breath when I finally got that part just right:

With the basic assembly out of the way, my first milestone for the project was to create a first, “clean” version of the face before actually improving and detailing it further:

This is very much my baseline face sculpt that I could probably return to for other projects, if needed (I have a half-baked idea making a copy and tweaking it to have broader, more Astartes-like features, just as a proof of concept).

The next step was to add more details, such as wrinkels and scars, in order to make the face look more realistic. Which gave me this finished sculpt:

And here’s a detail look at the face, showing you the added detail I talked about. Due to the way sculpting works in Dreams, those wrinkles were actually “sculpted” onto the underlying face, using a tiny sphere as a brush, so to speak, then using it to create tiny depressions in the skin, instead of applying a “painted” texture map:

Now I do of course realise that this face isn’t photo-realistic in any sense of the word, and that it still has a somewhat stylised look. On top of that, there are also all kinds of minor anatomic problems (don’t get me started on those ears, for instance). But when all is said and done, I would argue that the face at least looks fairly believable, if nothing else.

I wasn’t even done, however, because I still wanted to legitimately turn this into Gregor Eisenhorn.

Throughout the whole project, my main point of reference was this classic piece of artwork, still pretty much my favourite depiction of the venerable Inquisitor:

The artwork originally appeared on the back of the Inquisitor rulebook, and I just love the amount of character in detail in it (so much so, in fact, that I also used it as a model for one of my, slightly dodgy, digital painting attempts earlier this year).

Anyway, the artwork really provided me with lots of extra detail to tweak my sculpt, especially when it comes to facial scarring and the way those implants are integrated into Eisenhorn’s skull.

Before we move on, I would be remiss not to mention that there actually already is a CGI version of old Eisenhorn, namely this interpretation from Pixel Hero Games’ “Eisenhorn: Xenos” videogame:

But while I like that interpretation well enough, it also seemed a bit too, I don’t know, beefy for me? I wanted some proper old man features on Gregor (hence the larger ears and somewhat wizened look on my own sculpt).

Which leads us right back to the beginning: Here’s Eisenhorn’s face again, now with the first augmetic additions. As you can see in the bottom left, I also modeled a couple of tubes and connection ports that I would copy and place all over the head in order to recreate Eisenhorn’s implants.

Once those augmetics were in place, I used more sculpted shapes to blend them into the rest of the head and make the skin around them look irritated and lumpy. Once again, everything you see basically consists of geometric shapes (more spheres, in this case) that have been blended together. The picture below also shows you Dreams’ UI and toolbar for the sculpting mode:

One reason why sculpting Eisenhorn’s head was such a useful learning experience was that the sculpt actually combines very different textures: Eisenhorn’s skin was going to be matte and soft-looking while I wanted his various implants to have a hard, metallic look. This was achieved by giving both areas different finishes. The blue-ish colour of the metal is actually the reflected background colour!

It was always clear to me that I would eventually use Eisenhorn’s head in some kind of staged scene, and once I had the finished face, I moved right on to that. In order for his head to seem even more believable, I quickly threw together a mockup for his iconic high collar (by simply using a cylinder shape and cutting a part out of it):

I then tried an early mockup of the intended scene, with Eisenhorn in a suitably (grim)dark locale, with a servo-skull hovering over his shoulder. Here’s an early impression of that test build:

As you can see, the lighting instantly changes the entire atmosphere. Here’s a picture from when I was zeroing in on the exact kind of lighting conditions I wanted. The servo-skull also looks more refined — although it was merely “jury-rigged” by adding some of my augmetic gubbinz to a readymade skull from MediaMolecule’s gallery of useable objects):

But while I liked the general look of the piece, the messy collar was really starting to bother me at this point, so back to the drawing board I went: I tried a slightly more involved attempt, and while the result still isn’t a perfect recreation of Eisenhorn’s look, I liked it much better:

I also used this opportunity to add a few additional flourishes, while I was at it, such as veins showing beneath the skin and a few tweaks to his augmetic implants, including some glowing lights:

And then it was back to assembling my little scene. Here you see the entire stage, so to speak, with all of the controls in view and the studio lighting turned on to make it easier to tweak the scene:

The little purple shapes surrounding the model are cameras that I placed by hand, because I wanted to end up with a short scene of the camera moving around Eisenhorn, in order to show off the fact that this was actually a fully realised 3D scene.

As for the surrounding scene, I have to point out that I only really created the character bust, while everything else came from fellow Dreamers’ assets — in fact, one really great thing about Dreams is that, while you can of course build everything by yourself, there’s always a huge library of wonderful building blocks at your fingertips.

Anyway, here’s the same scene with the lighting effects “turned on”, as it were:

Quite a difference, wouldn’t you agree?

And here, without further ado, is my little scene showing my interpretation of Inquisitor Gregor Eisenhorn:

I am actually crazy happy with this outcome, even if there’s still much room for improvement, to be sure! Oh, and there’s even a short video, to show you how this stuff is even properly 3D, and everything:

Many thanks must go to my fellow Dreamers magister95, ZIIQ, Lucki_Lady, PulsarFlux, shredderweats, oreo123456789109, thebiv, BonMotGuy_ and Lobselvith_Black for their excellent assets! :)for their fantastic assets — like I said, I only really created the head and shoulders, the rest of the scene came from the work of those very talented people. Oh, and by the same token, if you are on Dreams as well, feel free to peruse my head sculpts for your own projects! They are called “Lined patrician face version 1” and “Lined patrician face version 2” — in fact, as of this writing, one fellow user has already used dear old Gregor’s head as the villain in a recreated Power Ranger scene, of all things

So anyway, that’s it for today’s – slightly different – update. While the subject might have been beyond my usual content today, I would nevertheless love to hear any thoughts you might have, so feel free to leave a comment!

As always, thanks for looking and stay tuned for more — and please stay safe and healthy during these challenging times!

Hey everyone, seeing how the blog has been quiet for longer than usual, I thought it would be a good idea to give you a bit of an update on what´s been happening over on my end:

I am still alive and kicking, obviously. The truth is simply that I have recently been dropping pretty much all of my hobby time (as well as quite a bit of my non-hobby time, alarmingly enough) into a completely different creative endeavour. You could call it a lifelong dream, really.

Because, deep down, I have always wanted to be…a LUMBERJACK!

…

Nah, but seriously: As some of you may remember, video games have always been another big hobby of mine (why choose one nerdy pasttime when you can have ALL of them, eh?) And one thing I have always wanted to do was to make a real video game myself. But while there are many tools available for doing that today (ranging from the stupendously easy to grasp text adventure tool Twine to game-engine behemoth Unity), the scope of what I was able to create had previously always been limited by my inability (and/or unwillingness) to properly get into programming. So it looked like my dream would have to remain just that. And then „Dreams“ happened.

I have already talked about Media Molecule‘s mind-boggling game engine/machinima Studio/3D modeling software cornucopia in my previous post about creating a character bust of Gregor Eisenhorn, but that didn‘t really seem to elicit that much of a response. For today, suffice it to say that Dreams, with its very intuitive interface, has enabled me to create something I would have considered impossible before.

So, TL;DR: This blog has been quiet because I have been spending all of my recent hobby time on creating a video game.

If you come here mainly for the modeling, painting and 40k content, which I suspect goes for pretty much all of you, then rest assured that this isn‘t a permanent state of affairs: I will definitely be back to cutting up little plastic men (and women. And everything in between and beyond) sooner rather than later — not least of all because my buddy Augustus b‘Raass sent me an amazing little supply drop recently — anyway, don‘t fret: I‘ll be back in a bit!

Now, if anyone‘s still reading, or if some of you are maybe interested in finding out more about that game I was talking about, I would be happy to share a few details:

The game is called „Islands“, and it‘s an exploration-centered third person adventure/platformer with a slightly cinematic bent. You are playing as a mysterious wanderer on their quest to travel the eponymous islands. My main inspirations were thatgamecompany‘s Journey, Team Ico‘s/Fumito Ueda‘s games (Ico, Shadow of the Colossus, The Last Guardian) and Us Two Games‘ Momument Valley series (from a visual design standpoint). And while Islands is very obviously not nearly as good or polished as any of those titles, if you like any or all of the aforementioned games, well, my little project may just be for you… Just be advised that it has absolutely NOTHING whatsoever to do with the grimdark world of the 41st millennium

So anyway, sorry for rambling away. But while I don‘t want to sound overly dramatic, it‘s no hyperbole to say that this feels like one of the most thrilling creative endeavours I have tackled yet. Sure, the game is pretty dodgy in a hundred places, and probably quite derivative to boot — but it‘s my baby, for what it‘s worth…

So if, by any chance, you should find yourself in the possession of both a PlayStation 4 and a copy of Dreams (because both things are needed to get to access my project, unfortunately), then I cordially invite you to check out Islands — in fact, that would make me very happy indeed! Its title in the Dreamiverse is „Islands Prototype“, and here‘s a thumbnail that should help you identify the right game:

Oh, it‘s also listed here..

You could also leave some feedback, of course, which would make me even happier still

In closing, I will be leaving you with a few impressions of the game. While Dreams also works as a fantastic repository of already available assets, I have decided to up the ante for this project and create all of my own graphic assets, so as to max out my learning curve. So everything you see in those pictures has been completely „scratchbuilt“, as we would say in tabletop hobbyist parlance

Anyway, on to the pretty pictures:

As always, thanks for looking and stay tuned for more! And please stay safe and healthy!

Time for another update, lest this blog fall into complete disuse. Be warned, though: Today’s post is a bit of a stitched-together chimera of different things. But hey, better than no new content whatsoever, eh? So step this way, please. I have some things to show you:

I. A few tributes in model form

While I didn’t have the time to work on any new models, I do have some pieces from earlier this year that I have not yet featured here on the blog, so this seems like a perfect opportunity to finally give them their day in the limelight!

First up is a conversion I am really happy with. By way of introduction, let me reiterate that my buddy DexterKong and me are basically sharing (and co-developing) the same 40k adventurescape, our little corner of the 41st millennium, so to speak: the Velsen Sector.

On top of being fun, this basically serves as a very handy resource, because the background we have (and continue to) come up with really serves as an extra layer of texture that informs our conversions and character ideas. Now a couple of years ago, Dexter came up with a character that I have been jealous of ever since. One Inquisitor Uraccen Falx, of the Ordo Xenos:

Inquisitor Falx by DexterKong

Dexter imagined Falx as a bit of a crackpot and a conspiracy-theorist — to be fair, he came up with a character at a time where conspiracy-theorists weren’t as much of a dangerous real-world political influence as they are today. But the idea of an Inquisitor who was basically a huge paranoiac, expecting vile xenos conspiracies behind everyone and everything truly appealed, and I think you can really see that kind of background in the model: Falx is an old, drawn, perpetually exhausted fanatic who will not allow himself to rest, lest “they” finally get to him.

In case you are interested, you can find out more about Falx here and here. For today, suffice it to say that this was one of those models that I always regretted not having come up with myself — until I realised a while ago that I could at least do the next-best thing and build a version of Falx for my own collection.

So that’s what I did:

For the most part, this was very much a case of trying to “colour inside the lines”, so to speak, trying to match Dexter’s original model. I diverged from the original design in one or two small ways (choosing a different tilting plate as well as a – very fitting – shoulder mounted AdMech gun. I also used a different sidearm, mostly because I didn’t have any of those ancient Eldar pistols left , but I think it’s still recognisably the same guy. The one really brilliant part of the original model that I didn’t quite manage to capture was Falx’s scrawny neck, making him look like a tired turtle, poking out from inside its shell. But oh well, I am still pretty happy with the finished model (and with having a version of Falx in my collection now).

DexterKong’s version of Falx also uses multiple servo-skulls made from xenos-trophies, to show his ultimate disdain for those vile creatures. So while I was at it, I also built Falx a little friend:

The next thing I want to share with you happens to be yet another tribute — albeit to a video game this time around:

Early this year, I blazed through the adventure game “Primordia”, which I simply cannot praise highly enough: It’s a wonderful little graphic adventure with lots of style which is both fantastically grimdark and, at least in places, rather funny. It also resembles the look of a classic franco-belgian SciFi comic series, which was what drew me to it in the first place. Just take a look at this, and you’ll see what I mean:

Oh, and if you play it with your eyes half-closed, you may be forgiven for thinking it’s basically “Adeptus Mechanicus Forgeworld – the videogame”

Anyway, the game’s protagonist is a robot named “Horatio Nullbuilt”:

And I liked the game so much that I thought it might be a cool little project to built a model resembling him:

The conversion isn’t quite finished yet. Plus it only really makes sense if you know the game — otherwise it’ll just look like a slightly dodgy, off-brand AdMech conversion to you. But I’ve already had a laugh building this guy so far — especially when it came to recreating his trusty little plasma-torch

Of course I also made a kitbash to represent his loyal sidekick, Crispin Horatiobuilt, a small spherical robot with a chip on his (nonexistent) shoulder:

Here’s a piece of artwork showing both of them as they appear in the game:

To be fair, I did “40k-i-fy” both of them a bit, but I think they are still pretty recognisable.

It may be some time before I actually paint those two, but I’ll be going for a colour scheme closely resembling their appearance in the game. In the meantime, I really recommend you check out Primordia, if you haven’t already. It’s very pretty – in a highly anachronistic way – and rather grimdark, too.

And while we are on the subject of video games…

II. Meanwhile, in the world of Dreams:

I am not going to lie to you: Most of my hobby right now is still spent messing around with Dreams, Mediamolecule’s incredibly accessible game engine.

For starters, since my previous post on the matter, I have made lots of small and larger tweaks to my game “Islands”, including adding a final, secret level and a second unlockable ending. Here’s the trailer for the game again, for those who missed it last time around:

I was also lucky enough to be able to coax fellow hobbyist and blogger Azazel into giving the game a try If you want to follow suit, I’d be honoured:

The game is listed here. Unfortunately, in order to actually get to play it, you still need access to both a PS4 and a copy of Dreams.

Mediamolecule will be hosting a digital event called DreamsCom’20 event next week and, brilliantly enough, have called for digital exhibition booths for the event. I loved the creative challenge, plus my game can frankly use all the publicity it can get, so I used the booth template very helpfully provided by the developers and made my very own exhibition space:

It’s weird and wonderful stuff like this – in addition to the sheer creative joy that is at the heart of Dreams and its community – that I believe is what makes me spent such an obscene amount of time on it at the moment.

To wit, on top of designing a complete game, I have also come up with my very first animated short (made for the “Tiny Worlds Community Jam”), called “The Bug Ronin – Search for the Light Within”:

In this case, I have uploaded the film on YouTube, so feel free to check it out here:

And I have also sculpted a male head (as part of the sculpting masterclass that is part of Dreams’ tutorials), resulting in this finished piece:

Frankly, this seems to me like something created by somebody far more talented than me (especially if you compare it to my previous attempts at sculpting a face). This time around, I have gone for a character design slightly influenced by the style of the “Dishonored” games.

Anyway, the point I am trying to make here is this: I have created all of this using the same suite of tools. And none of it would have seemed remotely possible to me before!

To be fair, none of this has anything to do with 40k or INQ28, so many of you probably won’t really care that much. However, I am, in fact, already thinking about how this new skillset I have been acquiring might be turned towards the 40k side of my hobby time — in fact, I would love to start by creating some digital sculptures for some of my characters — Redactor Orlant and the Countess Mandelholtz, in particular, immediately caught my eye…

For now, fellow Dreamer Alex Markov is already creating some highly impressive 40k content in Dreams:

So yeah, so much for my little heads up regarding my current projects. It goes without saying that I would love to hear any thoughts and feedback you might have!

As always, thanks for looking and stay tuned for more! And please stay safe and healthy!

Oh my, it’s certainly time for another update! I must apologise for the lack of content over here: It seems like, unlike everybody else in the hobby scene, I didn’t use the Covid19-related downtime to paint 10,000 points of tabletop models — in fact, I haven’t even managed to paint more than a handful of models this year, to be honest. And while I would love to blame current events, world politics or any other kind of external force, the more likely explanation is a mix of my eternal laziness and several distractions.

But once again, my good friend Annie provided me with the motivation to get back to the painting table — albeit for a different reason than usual…

I. All good things…

Earlier this month, Annie left the blasted plains of northwestern Jhermani for one of the big Hive Cities further north. Which is great for her, but actually a massive catastrophe for my personal hobby productivity, because our joint painting and converting sessions were always a shining beacon of “finally getting stuff done”. Under no circumstances does this mean, however, that we won’t be having any painting sessions in the future — quite the opposite, I hope. The logistics will just be slightly more complicated. But that remains a problem for another day.

For now, I wanted to create something nice and topical for Annie to wish her well on her way, so I picked up a brush (for the first time in months, I might add), and made her this:

“Guten Flug” means “Have a good flight” in German, in case anyone was wondering (because y’know, that gobbo seems to be a pilot and everything…). The model itself is a Blood Bowl event model Annie gave to me a few years ago, so it seemed like the perfect choice for this occasion. The plinth was made from a piece of Zebrano wood I got from my uncle (who uses different types of wood to create his own knife handles). I’d say it all makes for a nice little ensemble — and the piece should fit right in with all of the nifty Blood Bowl stuff in the showcases at Annie’s new place.

So all the best, and don’t think you’ll be safe from me ‘oop north

II. Supply drop from the lowlands:

Another shout out must go to my buddy Augustus b’Raass who sent me a lovely bitz drop earlier this year — what a delight!

To my great regret, I have yet to figure out what to do with most of those lovely bitz — but thinking about that is already half of the fun, and also seems like the perfect activity for lazy summer afternoons in the sweltering heat…

At least I have already started messing around with some of the stuff Augustus has sent me: Some of the heads from the Necromunda Corpsegrinder Cult seemed just perfect for some of my models, after all.

For instance, one of the bare Corpsegrinder faces seemed like the ideal piece to add some extra oomph to this 30k World Eater in Cataphractii armour I converted back when “Betrayal at Calth” was released:

The angry expression in combination with the tubes and augmetic plugs seem just perfect for a World Eater, yet the lack of mutations led to me using it one a 30k model, rather than a 40k one.

But fear not, my 40k World Eaters were also able to claim a skull, so to speak: One of the slightly more elaborate, horned Corpsgrinder masks ended up on the rocket launcher wielding World Eater I converted a while ago:

I kept tweaking this model for what feels like ages, swapping in head after head, but now I think I may finally have found the right part to complete the conversion.What do you think?

Oh, and speaking of World Eaters, I have finally started to paint the next member for my “Hateful Eight” project, the icon bearer based on one of the classic metal World Eaters from the 90s. I shared the conversion with you in a previous post:

Having painted the little goblin pilot shown above, I didn’t want to lapse back into utter laziness again, and seeing how I already had the red paint pot before me, I got to work…

This reminds me that I’ll have to share my current World Eaters recipe one of these days — in case anyone’s interested, that is!

Anyway, this is what the model looks like right now:

Still some work left to be done, but I think I am on the right track!

III. Visiting some Islands…

Wait, you didn’t think we’d make it through this post without a mention of my current infatuation with Media molecule’s “Dreams”, did you? Seriously, though: Just a short heads-up, because I have been plonking away at my game, “Islands”, and making small tweaks and updates based on user feedback. So regardless of whether or not the game is actually any good, it’s at least getting better and better

I have also created another trailer for the game that I think gives you a pretty good idea of what it looks like. Check this out:

If you happen to have access to both a PlayStation 4 and a copy of Dreams, I would be delighted if you were to check out my game. It can be found here.

Anf that’s it for today. I certainly hope this update finds you all well! If you have any thoughts or feedback, I would, of course, love to hear them!

As always, thanks for looking and stay tuned for more! And please stay safe and healthy!